June 24, 2006

Movie Review: A Prairie Home Companion

The more films I watch, the more I realize just how much there is to see. I like to think that I have watched a wide variety of films, but it pales in comparison to reality, including some very important films that are left to see. Why do I bring this up? Robert Altman is one of those directors whose name I know, but whose catalog is primarily foreign to me. Before A Prairie Home Companion, I had only seen a couple of his films. Now, I am sure you would rather read some thoughts about this film.

The film centers on the impending final show of a long running radio variety show called "A Priarie Home Companion," which is an actual show in Minnesota, hosted by Garrison Keillor who wrote the screenplay for this film based on his story, and also stars as the host, aptly named G.K. The story is in essentially real time, following the performers as they arrive and prepare for the show, then actually putting on the show while the drama swirls around them.

As the show goes on, they prepare for who they are calling The Axeman. The station had recently been purchased by a big unnamed Texas company, and they sent one of their men to Minnesota to deliver the bad news in person. Besides waiting for the bad news, they must contend with the personality conflicts that come up between the performers, who are much more like a family than mere co-workers. There is also the case of the mysterious woman in white, who has been seen walking around the premises.

The story just seems so inconsequential next to the personalities here, it is more like a "day in the life" type of tale. It made no difference whether the show actually got cancelled or not. I actually found myself disconnected from the film, I did not care about the story, and to an extent I really didn't have any connection to the characters. The strange thing is, I found myself wanting to see more of these people, it is something I cannot truly explain. It is as if I was kept at arms length despite my efforts to draw myself closer to them.

The characters and the way their parts are weaved throughout the tapestry of the film are where the heart lies. Robert Altman has done a fine job of moving from character to character, conversation to conversation masterfully, using the performance of the show as a bed on which to place the players. Each person has their own story to tell, they may not always tell the whole story, they may leave you wanting more, but at the some time you will just smile along with them, not really caring about what they so much as how they are.

The real strength lies in the casting. There is a fine ensemble assembled here, and while I wanted to know more about all of them, there were a few standouts. The character to payt attention to here is Guy Noir, played by Kevin Kline. Noir is an out of work private eye who is in charge of security for the show. His dialog makes him sound just like he is from a 1950s hard boiled detective, and if his delivery doesn't give it away, his name should be a hint. I loved watching him on the screen, his matter of fact, "just the facts," delivery is wonderful. Lindsay Lohan steps up her game here, she may not be one of the main performers, but her character of Lola Johnson, a suicide obsessesed teen is great. She shows here that she can be more than a tabloid target, I always thought she had the talent, this may be the proof. Comic relief is delivered in the cowboy duo of Dusty and Lefty, played by Woody Harrelson and John C. Reilly. These two are hilarious, their backstage banter, and particularly their "Bad Joke" song are absolute highlights. Virginia Madsen is the mysterious woman who is the object of Guy Noir's piqued interest. She glides through all the scenes she is in, integral to the story, but detached from the setting, much like how I viewed the film. Lastly, there is G.K., as played by the previously mentioned Garrison Keillor, he is a wonderful figure, host of the show and the glue holding them all together. There are a number other notables, but to go through them all would have us here all night and would do you the disservice of being able to uncover them all yourself.

The film is fascinating, yet the detachment I experienced is hard to overcome. Perhaps it is my lack of interest in the radio variety show, or of the music style performed? That is not to say it isn't good, or I don't enjoy it, or that it is any less valid than other styles, it is just not one that I would go out of my way for. However, this film is well worth seeing, despite my reservations, it is a film that I think my win me over with a few viewings. No, I don't feel a film should require multiple viewings, but I get the impression that there is a lot to discover inside this one.

Bottomline. Robert Altman and Garrison Keillor have crafted a loving ode to live radio. There is a certain beauty to how it is pieced together, it is almost poetic. As I write this, I feel my opinion of it changing, increasing as I have let it float around inside my head. This is a sweet film that is well worth your time.

Recommended.
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June 23, 2006

DVD Review: Faith No More - You Fat B**tards / Who Cares A Lot Greatest Videos

What's better than a Faith No More double feature? Well, if your a fan, probably not much. For you fans this two disk set is an absolute must have, and for those with fond memories looking to reconnect with this group of visionaries, this is for you too. Lastly, if you are a fan of good music, this is also for you.

I don't think I quite realized it at the time, but Faith No More was way ahead of its time. They helped spark the rap/metal craze of the 1990s with their huge hit, "Epic." Funny thing, that is the only that could really fall in that category, there are a few that tread close to those waters, they had a few more hits, but never really achieved the same level of popularity. I cannot claim to have followed their career to closely, but I always loved the music they put out. It was so different than the other stuff that was out there. I think they peaked with 1992's Angel Dust, but there are parts of all the albums that I liked. This set brings back so many good memories.

The first disk is You Fat Bastards: Live at the Brixton Academy, London, it was recorded on April 28, 1990 while they were touring in support of The Real Thing, and was originally released on video in 1991. This concert is a lot of fun, and reminds of just what I missed out on having never gotten the opportunity to see them live. Although, I did see Patton with Mr. Bungle once.

This 60 miute set is energy from start to finish. They opened with "From Out of Nowhere" and transitioning into "Falling to Pieces." The crowd was into it the entire time, singing along and banging their heads. Two songs from the pre-Mike Patton appear, "As the Worm Turns" and "We Care A Lot." The second one led into "Epic," which in turn led to their instrumental "Woodpeckers From Mars," which closed the set proper with Billy Gould declaring "Good Night!"

The break did not last long as Faith No More had a couple more songs to play. They delivered "Zombie Eaters" and their Black Sabbath cover "War Pigs" as an encore. Of course, after watching this, I wanted more, more I tell you! I wanted to see performances from Angel Dust and King for a Day, oh well, at least there is a disk of videos which should provide some consolation.

The highlight was watching Mike Patton do his thing. This guy is truly insane, the way he moved around the stage is unlike anyone I have ever seen before. He flailed around, held the mic at strange angles, and just seemed like he was having a blast. Also, he would play with the words and add various sounds and noises between lines, it truly was a live show as opposed to recreating the CD. The band itself is incredibly tight, and they sounded a lot better live than I had imagined, based on that hideous MTV performance of "Epic," I think it was at one of the VMAs.

The concert is presented in a 1.33:1 ratio and looks pretty good. It suffers a bit due to the age of the source, but it is free from any blemishes, and is generally very good. The audio has two flavors, Dolby Digital 2.0 and 5.1. Obviously, the 5.1 is the way to go, even if you only have a stereo setup, the 2.0 sounds thin and lacks body whereas the 5.1 has a nice full sound even only across a two speaker soundstage.

The second disk collects 18 of their videos in a 90 minute package, Who Cares a Lot? The Greatest Videos, which was originally released on VHS in 1998. This is a an excellent collection of videos and really shows how Faith No More matured and changed over years. Compare something like "Falling to Pieces" and "Evidence." Both of those videos are vastly different, but both are distinctly Faith No More, showing the band at different points of their career.

As far ahead of the curve their music was, their videos split the difference, covering the gamut of performance videos, to the epic features. A pair of Chuck Moseley era videos made the set, "Anne's Song" and "We Care A Lot." All of the hits are here, including "Epic" and "From Out of Nowhere," plus some of the later videos which I do not recall ever seeing before like "Digging the Grave," "Last Cup of Sorrow," and "Ashes to Ashes."

This disk is presented in a ratio of 1.33:1 and looks very good, everything is crisp and clear, colors are sharp, and it is good to look at. Like the first disk, you have the choice of Dolby Digital 2.0 and 5.1, I'll let you decide which one you should be using. I'll give you a hint, see my comment on the first disk.

Watching these videos, and the preceding concert bring back so many memories, now I have to go and dig out my Faith No More albums. What else can I say? This set is a must have for any fan. The range of styles that they incorproate into their music is mind blowing. It is sad to see how they sort of fell apart, starting with their dismissal of Jim Martin in 1993. It is great, however, that they live on in their CDs and this excellent testament to their excellence.

Highly Recommended.
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New Movies and Box Office Predictions: Click, Waist Deep

Two new films enter the wide release waters. One of them is pretty much assured to be a hit, the other could be a sleeper. Well, that's all the clever banter I could think up for today, let's move along, shall we?

Click. (2006, 97 minutes, PG-13, comedy, trailer) The latest Adam Sandler vehicle to be unleashed upon us is here. I don't think it will match Punch Drunk Love or Spanglish, but it has a fun high concept. Sandler, looking to regain some control in his life (and who doesn't?), comes into possession of a universal remote control that actually controls the universe. In a seemingly brilliant piece of casting, Christopher Walken is the man who delivers the control. The gorgeous Kate Beckinsale steps away from the tight leather outfits for awhile to play Sandler's wife. The film was directed by Frank Coraci, who previously worked with Sandler on The Waterboy and The Wedding Singer.

Waist Deep. (2006, 97 minutes, R, thriller, trailer) Tyrese Gibson stars in this urban thriller directed by Vondie Curtis-Hall. This looks like it could be good. The story follows Gibson as an ex-con trying to turn his life around to be a good role model for his young son. That is until he is kidnapped during a carjacking. The event forces him to step outside the law to regain his son. The movie costars The Game, Meagan Good, and Larenz Tate. I'm looking forward to checking this out.

Also opening this week, but not near me:
  • The Great New Wonderful
  • The Hidden Blade
  • Leonard Cohen, I'm Your Man
  • The Road to Guantanamo
  • Wassup Rockers

Box Office Predictions.

Two new movies enter the fray, do they have what it takes to crack the top ten? Time will tell. Let's take a look at how they could play out:

  1. Click.................................................................. $28 million
  2. Cars................................................................... $19 million
  3. Nacho Libre...................................................... $16 million
  4. The Fast and the Furious: Tokyo Drift........... $14 million
  5. The Lake House................................................ $8 million
  6. Waist Deep........................................................ $6.5 million
  7. The Break-Up.................................................... $5 million
  8. Garfield: A Tale of Two Kitties......................... $3.75 million
  9. X-Men: The Last Stand..................................... $3 million
  10. The Omen........................................................... $2.5 million

Of course, I've been wrong before, but it's fun to try!

What are you seeing this weekend?

June 22, 2006

DVD Review: Adventures of Superman - The Complete Third & Fourth Seasons

Before I got this DVD set I had never seen any episodes of the George Reeves version of The Man of Steel. I think I was long overdue for my introduction to this original television series to feature the hero. This set also marks the first time that Superman has ever been filmed in color. The first two seasons were shot in black and white, the third season forward were all shot in color, although they were not broadcast that way until 1965, ten years after they originally aired.

When you set out to watch a television series from fifty years in the past, you have to be prepared. The way shows were made, and the culture in which they were made, was vastly different and requires an adjusted perspective. That isn't to say that show doesn't hold up or isn't entertaining, because it is. I just bring it up because if viewed with a modern mindset it would be easy to dismiss it out of hand, and that would be a mistake.

This series is a lot of fun. Superman is faced with all types of bad guys and scenarios to escape from. I found myself not really caring about the villains, althought I enjoyed the gangster styled dialog they had to chew on. What really attracted me were the way Superman kept his identity secret, and the explanations for the mysterious disappearances of Clark and the subsequent appearance of Superman. The glasses have been a staple through all of Superman's incarnations, and I was always amused by how easy a disguise it was, how no one could see past the frames to the superhero beneath.

George Reeves is Clark/Superman. He is portrayed, not as the nerdy type, as later typified by Christopher Reeve, but as an intelligent, insightful reporter with very good deductive reasoning, and counterpoint to the strong willed Lois Lane, portrayed by Noel Neill. Whenever he is needed, he removes his glasses and switches into the red and blues. He is always there to thwart the bad guys and save his friends. Reeves may be a bit older than I tend to picture Superman, but that makes him no less effective. Neill is also very good as Lois. In the end, I have to say that I really took to Jack Larson as Jimmy Olsen. I love the way he delivers the dialog, there is a child like innocence to him, and I really latched onto it.

Video. The show is presented in a ratio of 1.33:1, and looks good. Due to the age of the elements, there is print damage, particularly in the credit sequences and the stock footage. The episodes proper look very good, a little spotty, but very good.

Audio. Sound is the original mono. It sounds good, if a bit thin, but I suspect that is how it sounded originally. Nothing to complain about here.

Extras. There are a couple of brief featurettes included.
-Adventures of Superman: The Color Era. This runs about 6 minutes long and goes into how forward thinking the producers were when they chose to shoot color, despite the broadcast would still be black and white. They had to redo all the sets and clothes so they would look good both ways. It also showed Superman in all his colorful glory.
-Faster than a Speeding Bullet: The Special Effects of Adventures of Superman. Running 6 minutes, this goes into how the effects were accomplished, including how he flew and was able to turn. I liked the spring boards used to launch Reeves into the air.
-Look, Up in the Sky! The Amazing Story of Superman. An excerpt from the upcoming documentary.

Bottomline. This series is a treasure. It is a time capsule tribute to the Man of Steel. I wish I had discovered this version earlier. Now I have to get the rest of the series. Great cast, fun stories all add up to a series that is not to be missed.

Recommended.
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DVD Review: Lois & Clark: The New Adventures of Superman - The Complete Third Season

Lois & Clark ran four seasons and starred Dean Cain as the Clark Kent/Superman and Teri Hatcher, who has since returned to superstar status on Desperate Housewives, as Lois Lane. This season also introduced a new Jimmy Olsen, Justin Whalin taking over for Michael Landes, I remember when during the original broadcasts, I didn't care for the change, I liked Landes. Watching now, I think my old thoughts were unfounded, Whalin does a fine job as the comical shutterbug.

This is the first time I've watched any of these shows in the decade since they originally aired, so I was a little worried as to how they would hold up. Watching the first episode, "We Have a Lot to Talk About," both confirmed and negated my fears. It is true, there is a certain amount of corniness that creeps in, but it is a charming corniness, the leads pull it off nicely. I was also surprised to see the duo of Peter Boyle and Bruce Campbell as the bad guys, can't do much better than that!

I found this series to be very enjoyable. It starts off with a wedding proposal from Clark, and the revelation that Lois knows Clark's secret. This kicks off a series of adventures for them as a couple. Lois gets in on the act of helping to cover up Clark's mysterious disappearances. There is also the interesting dynamic that develops between them where Clark wonders if they should really be together due to the potential of her becoming a bigger target against Lois' saying she can take care of herself. The relationship is front and center as we wonder what Lois' eventual answer will be, what problems will stand between them and their wedding day, what manner of bad guys will need to be disposed of by Superman, and which foes will be exposed by Lois' investigative reporting abilities.

If you couldn't tell, and the title is a dead giveaway, this series focuses primarily on the romantic interaction, and less on the powers. Of course, the powers are there, but this is definitely a different take on the tale. I like it. Some of it seems dated now, dialog is a little funny, but it is still very enjoyable. I particularly enjoyed the final pair of episodes which introduce a new pair of Kryptonian refugees who seek to bring Kal-El home to New Krypton where he would regain his noble lineage.

The acting is fun, Hatcher and Cain have excellent chemistry, and Cain may be the most charming of the Supermen, and Hatcher is definitely easier on the eyes than Margot Kidder. They have Lane Smith as Perry White and the previously mentioned Justin Whalin as Jimmy Olsen, backing them up at the office. Those two have some fun exchanges. Backing up Clark are Eddie Jones and K Callan as Ma and Pa Kent, a supportive parental duo always ready with some advice for their beloved adoptive son.

Video. The season is presented in its original broadcast ratio of 1.33:1, and it has probably not looked better, even better than the original airing. The colors are crisp, the colors are bright and distinct, and the black is deep. Overall, this transfer looks very nice.

Audio. The audio is Dolby Digital 2.0. It sounds good, dialog, which is the most important part of a television audio mix, is always crisp and clear. No complaints here.

Extras. There are a couple of extras here.
-"Lois & Clark: A History of Romance." This brief featurette takes a look at the history of the couple through their various incarnations.
-"The Man of Steel Trivia Challenge." This is a ten question quiz of your Superman knowledge, hosted by Dean Cain.
-"Look, Up in the Sky! The Amazing Story of Superman." This is an excerpt of the documentary from Kevin Burns and Bryan Singer.

Bottomline. Watching these disks has brought back pleasant memories of watching this show a decade ago. It is fun, bright, and chipper. It leaves the cynicism at the door and is a fine example of television for the family. I guess I should go get the other seasons now.

Recommended.
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June 21, 2006

Movie Review: The Fast and the Furious: Tokyo Drift

"On the wrong side of the law....." Those words, and words similar to them have appeared in countless film trailers over the years. They have almost become a joke, how many times have you heard them and let out a chuckle? I know I have, and I know I did when I saw the trailer for this. Shortly after the chuckle, I had to wonder why they would make a third entry in this series of dubious distinction. Of course the answer is simple, money. Throw some rodded up imports on the screen and watch the teens flock to the multiplex. Now it is time to admit, in case you hadn't already guessed, I joined the flocks and took this movie in over the weekend.

I admit to being curious. I enjoyed the first two movies, for what they were. Both of them were flashy and fun superficial exercises, featuring some good car stunts. That right there is their claim to fame, as neither have had a terribly engrossing story, nor have they been known for the acting performances contained therein. I wondered if this one would continue the trend of over the top car antics, full of the whiz bang, and lacking in the cerebral.

The Fast and the Furious: Tokyo Drift does not disappoint if you were looking for a popcorn muncher, brain dead from start to finish. When I walked out of the theater I had a smile on my face. I fell for it, hook, line, and sinker. The flash, the pace, the colors, I fell for it. I was successfully duped into enjoying this film. Maybe not duped, but I definitely liked it despite the lack of a story.

A funny thing came to mind, as I was watching the movie, I was suddenly reminded of Stick It. You remember, it was that movie about a teen girl who is forced into a gymnastics academy because of damage she caused at a construction site, by her estranged father after her mother decides she can't handle her. Tokyo Drift follows a teen boy who is sent to live with his estranged father in a country he doesn't want to go to, after he causes considerable damage at a construction site and his mother can't handle him. The similarities are incredible. The main difference, one is targeted at teen girls, and the other at teen boys.

Lucas Black plays Shawn, a perennial troublemaker who, after an exciting and destructive race, is shipped to Tokyo to live with his father. It doesn't take long before Shawn gets himself into some trouble in the Land of the Rising Sun. After we get the requisite moments of culture shock we get down to business. First up, fall for the wrong girl, you know, the main bad guy's girl. She comes in the guise of the nice girl who has her own reasons for being with the bad guy, without being bad herself. Next, pick up a comic relief sidekick, the kind of guy that can get in trouble so the hero can stand up for the little guy. Third, get involved with the bad guys, while retaining the good guy cred. This is all by the book stuff.

The thing to remember here is to not think too hard about the story. There is very little explanation for the things that happen. The plot just chugs along to link the car racing scenes together, and on that level it works. It is completely exhilarating watching these souped up cars do their thing. I am sure that there is considerable CGI enhancement during these races, but they are put together very convincingly. I was sucked in the intake valve and taken along for the ride.

The thing that I enjoyed the most was the setting. I, of course, have my reservations about the accuracy of the Asian culture as portrayed, but I enjoyed what was given. The cultural differences combined with the change of scenery helped draw me in.

Justin Lin directed the film, and it is definitely a step up from his last effort, Annapolis, but neither hold a candle to his excellent Better Luck Tomorrow. Lin does prove to be adept at delivering exciting car races, keeping the pace frenetic, while keeping everything under control. It would have been easy to let the race control the pace, but Lin hangs on and keeps the action easy to follow.

The acting was serviceable. Lucas Black does an decent job as the lead, but is upstaged by the duo of Sung Kang and Brian Tee. Kang plays Han, the better of the two bad guys who takes Black's character in, while Tee is DK, the true bad guy of the piece. Both of them have a lot of charisma, despite being saddled with a weak script. Bow Wow co-stars as the comic relief and is saddled with the unfortunate name of Twinkie, I kid you not. Nathalie Kelly plays the love intereset, Neela (Futurama anyone?), she is an attractive young woman, but isn't really given much to do. I also have to mention that Sonny Chiba plays a Yakuza boss, there is a guy with some impressive screen presence.

Bottomline. I liked it, what else can I say? It is loud, flashy, and in your face, and I bought it. The whiz bang suckered me in and took me on a wild ride. This may end up being my favorite of the series. I left the theater full, but with the knowledge I would be hungry again in an hour. Let me close by saying that there is a great cameo that I am glad was not spoiled for me by one of the commercials, it works so well when you don't see it coming.

Recommended.
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June 20, 2006

Box Office Update for 6/16-6/18: Cars' Lead Shrinks to a Car Length

Cars succeeded in hanging on to the top spot despite a surprisingly strong showing from Jack Black's Nacho Libre. The Pixar film may be failing to outperform its predecessors, it is still drawing the families to the theater. The movie was good, despite its length and simplistic tale, the animation was gorgeous. It will be interesting to see how it fares next weekend when the new Adam Sandler flick joins the fray.

Nacho Libre and the latest entry in the The Fast and the Furious franchise both had strong outings, although the possibility of their having legs is decidedly weaker. I have a feeling the tale of the wrestling priest will fade fast, partly due to the poor advertising which will color expectations. Tokyo Drift has potential to stick around for a little while, it was actually pretty good.

Two other films made their debut this week. First is The Lake House, which came in fourth place. This is a beautiful romantic drama with an unexplained phenomena at its core. The other is the sequel disappointment, Garfield: A Tale of Two Kitties, which came in 7th place.

Of the returning films, all of them dropped in the vicinity of 50%. The future just looks worse as more and more new films enter the mix, these will drop further and further down the list.

Four films dropped from the list this week: A Prairie Home Companion (11), Mission: Impossible III (13), Poseidon (14), and RV (16). Next week will probably see 4 drop off as we have the release of 4 potential hits entering the cineplexes.

This Week

Last WeekTitleWknd GrossOverallWeek in release
11Cars$33,731,634$117,055,2832
2NNacho Libre$28,309,599$28,309,5991
3NThe Fast and the Furious: Tokyo Drift$23,973,840$23,973,8401
4NThe Lake House$13,616,196$13,616,1961
52The Break-Up$9,831,145$92,260,1603
63X-Men: The Last Stand$7,820,253$216,218,8534
7NGarfield: A Tale of Two Kitties$7,288,977$7,288,9771
84The Omen$5,640,849$47,188,0542
95The DaVinci Code$5,266,560$198,767,8115
106Over the Hedge$4,339,015$139,047,4835


Box Office Predictions Recap
I nailed the top 4 and the bottom 3, but mixed up those middle three. Overall, I think I did better than last week. My predictions of gross are still rather gross, but I figure the longer I do it, the better I could potentially get. I seem to be better at guessing the position, at least so far.

Actual

PredictionTitleWknd GrossPrediction
11Cars$33,731,634$35 million
22Nacho Libre$28,309,599$26 million
33The Fast and the Furious: Tokyo Drift$23,973,840$19 million
44The Lake House$13,616,196$16 million
75

Garfield: A Tale of Two Kitties

$7,288,977

$13 million

56The Break-Up$9,831,145$9 million
67X-Men: The Last Stand$7,820,253$6 million
88The Omen$5,640,849$4.5 million
99The DaVinci Code$5,266,560$3 million
1010Over the Hedge$4,339,015$1.5 million


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DVD Pick of the Week: Night Watch

This week's crop of DVD releases brings an Oscar winner, a remake, a bunch of superhero stuff, a cult horror film, and more. Out of all the choices I could have gone with, I have chosen a film that I have not seen, not for lack of desire, but for the lack of a local theater willing to screen it.

This week's pick is the Russian film Night Watch (Nochnoi Dozor). It is the first part of an epic horror trilogy from writer/director Timur Bekmambetov. It details the battle between the forces of good and evil that have been waged since the dawn of time. It has been called the Russian equivalent to the Matrix trilogy. This film focuses on the forces of the night who work tirelessly to defend those who don't know. The second film, Day Watch has made its way through the Russian theaters, and the finale, Dusk Watch, is due next year.

I have been looking forward to this for some time now. I really hoped to have seen this on the big screen, but I guess my laptop screen will have to do. The trailer looks great, big action, epic story, everything you could ask for. Now, I hope I am not setting myself up for a fall, but I have high expectations for this one.

Also coming out this week:

  • The Adventures of Superman: Seasons 3 & 4. The classic George Reeves version of Big Blue continues its DVD releases with the middle two seasons.
  • Eight Below. This Disney tale of inspiration was actually very good. Paul Walker was actually watchable, and they did a good job of giving the dogs individual personalities.
  • Equinox: Criterion Collection. I've heard good things about this low budget horror flick. Must be good enough to get the Criterion treatment!
  • The Hills Have Eyes. Alexandre Aja's remake of this early Wes Craven film is pretty good. Aja has the right eye for this sort of material.
  • Justice League: Season 2. The excellent, and final season, of JL is here, just in time for Superman Returns next week.
  • Korn: Live on the Other Side. Another live DVD from the prolific Godfathers of nu-metal. Looks good!
  • Look, Up in the Sky - The Amazing Story of Superman. From the producers of that excellent Star Wars documentary comes this one, tracing Superman's origins.
  • The Omen: 2 disk Collector's Editon. A new edition, loaded with bonus material, of the original film. Strange time to release it, figured it would have come before the remake hit theaters.
  • Superman: Brainiac Attacks. A new animated adventure, I saw this last weekend on Cartoon Network. It was OK, but the character of Lex was off. I would stick to the other releases.
  • Superman: The Animated Series Vol. 3. Yet more Superman stuff!
  • Syriana. This was a very good film, but a little plot heavy and definitely requires a few viewings to get it all.

What are you getting this week?

June 19, 2006

Movie Review: The Lake House

The trailers for this reminded me of Frequency, and how could they not? Frequency's concept revolved around a short wave radio that connected a son with his father thirty years in the past. The Lake House takes that idea and exchanges the radio for a mailbox, and the thriller aspects for a more romantic slant. The two films are not connected, at least to my knowledge, but that is the impression I got the first time I heard of it.

The Lake House is a remake of Korean film Il Mare. It seems that Hollywood is no longer content to remain within the confines of the horror genre that has been so popular over the past few years, now they are branching out into other areas. I admit to not seeing Il Mare, all I can remember reading of it are the fact that it was positively reviewed. I must also admit that the fact that it was based off of an Asian film made the prospect of seeing it all the more appealing, not to mention I was mildly interested in the Keanu Reeves/Sandra Bullock reunion a dozen years after Speed made both of them stars.

This movie had me completely engrossed from start to finish. I am not usually affected by films within the so-called "chick flick" genre, a distinction I don't like to make, but is an effective short hand when talking to friends. I was curious as to the mechanics of this mailbox, how it worked, if there was some sort of supernatural explanation, or was it some kind of space/time anomaly. That is what I wanted to know, along with the potential for timeline screwups. Those were some of the things I was looking forward to seeing , but those thoughts didn't last long as I become enveloped in the intertwining lives through time.

Kate Forster (Bullock) leaves a letter for the next tenant of the glass lake house that she is leaving. Her letter is received by Alex Wyler (Reeves) as he moves in. He reads the letter and is puzzled by some of the things that she wrote, so he writes a letter in return. Kate gets the letter when she pays another visit to the house, in an attempt to escape her lonely life as a disconnected doctor who recently lost a patient who was in a tragic car accident. She reads the letter and finds something a little curious, he dated the letter 2004. Kate assumes it to be a mistake, but soon they are trading letters, almost instantaneously. The pair then realize that they are communicating through time, two years to be exact.

Instead of wondering how they are able to communicate, they get swept up in the fact that they are. They come to know each other inside and out, as soon as you get past the impossibility of the chain of events, you will too. There are small details that play out in the most unexpected ways. Their lives come together and diverge a few times during the two years. Alex comes to find her, and recognize her, while she knows nothing about who this mysterious stranger is, two years in the past. Future (present?) Kate has time to plan out a potential future for the two as she passes notes back to him. Alex falls head over heels for future Kate and vows to wait, despite the obstacles.

Watching this romance play out is so involving, you find yourselves rooting for them through time. You want them to get together. The obstacles and paradoxes in their way are enough to boggle the mind, but if you just accept the plot device, it becomes this wonderful world where crazy things happen and magic is the result.

The chemistry between Reeves and Bullock is incredible. The pair create sparks even when they aren't together onscreen, which is much of the movie. I cannot say that their performances were great, as they both seem to be riffing on other characters they've done, or in Reeves' case, his only character. However, the performances were completely effective. Supporting our duo on their collision course through time is a fine supporting cast. Among the support is Shohreh Agdashloo (House of Sand & Fog, 24) plays a co-worker of Bullock with her wonderful voice, Dylan Walsh (Nip/Tuck) as Bullock's on/off boyfriend, Christopher Plummer as Reevies' estranged father, and Ebon Moss-Bachrach as Reeves' brother.

The film was directed by Alejandro Agresti, making his English language debut. He does a fantastic job at keeping this film on track. The constant movement through time cannot be an easy thing to keep straight, the flip flopping could have easily gotten away from him, but the reigns are held firm en route to crafting an emotionally involving film. He directed based on David Auburn's screenplay, which was inspired by Eun-Jeong Kim's original writing for Il Mare.

One last thing, as I ramble on. This movie is a fine example of a difference I have found between Hollywood projects and the films of Asia. The Lake House is clearly from the Asian school of filmmaking. I have found that the audience is expected to accept more with less explanation in Asia than American audiences are. A lot less is explained, which makes way for more emotion, and a less linear flow, hence no explanation for the mailbox. I loved it.

Bottomline. This movie caught me completely by surprise. I was definitely not expecting what I got. The story and the performances had me at complete attention, I was actually emotionally invested in the outcome of this time crossed potential lovers. Now I have to seek out Il Mare. This is one not to be missed.

Highly Recommended.
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Music DVD Review: Bruce Dickinson - Anthology

Let me first state that this 3 DVD collection is massive. If you are a fan of Bruce, Maiden, or rock and metal in general, this may be something that you will want in your collection. I am not terribly familiar with the majority of Bruce's solo work. I remember hearing "Tattooed Millionaire" many years ago, and I recently heard, and reviewed his Tyranny of Souls release. To make matters worse, I was also a late adopter of the genius that is Iron Maiden. That doesn't stop me from trying to make up for lost time with great releases such as this, and recognizing Bruce as one of the greatest frontmen of all time. Well, enough of my babbling, let's take a look at this treasure trove of metal goodness.

Disk 1
First up is the concert video Dive! Dive! Live!. The concert is listed as being 70 minutes long on the back of the case, but is is nearly 90 minutes. It was recorded at the Town and Country Club in Los Angeles on August 14,1990 during the Tattooed Millionaire Tour. His band was made up of future Iron Maiden member Janick Gers on guitar, Andy Carr on bass, and Dickie Fliszar on the drums.

This is not Iron Maiden, and for that I think I would have to say that I am happy, it shows a different aspect of Dickinson. This is stripped down, straight up rock. It was very different seeing him in this atmosphere, as my other live experience has been with the Rock in Rio and Death on the Road releases. This concert is devoid of any big stage set, no crazy lighting, and a lot less stage space. Dickinson took his band on a club tour, meaning smaller stages and crowds, but increased intimacy. The performance was a lot looser than I am used to from the technically precise Maiden, that is not a bad thing as they sounded incredible.

Watching this first concert reminded me of when I went to see James Labrie (of Dream Theater) during his solo tour last year. I was not familiar with the music, but I was with the voice, and the quality of that voice and the songs he delivered came together for a great show. Even not knowing those songs did not keep me from loving every second of it.

Right from the start the atmosphere was electric. The fans new they were in for a good show, and Bruce was definitely going to deliver. Highlights of the set include "Born in 58," the WWII inspired "Dive Dive Dive," which was followed by an impressive drum solo, and the bluesy "The Ballad of Mutt." Bruce and crew also deliver a rocking, sped up, version of the David Bowie classic "All the Young Dudes." The highlight of the set would have to be the insanely high energy "No Lies" which features an wild solo from Janick Gers. That is where the main set ended.

Bruce returned to the stage to bring the energy back down with the acoustic "Fog on the Thyne" and "Winds of Change." The 5 song encore also featured the one Maiden song of the night, "Bring Your Daughter ... To the Slaughter."

The video quality isn't the greatest. Detail is not terribly sharp, and their is a lot of artifacting in the blackness. I have a feeling that this is the best it is going to look, as I feel the problems lie in the source video. Overall, I have been happy with worse. The audio, on the other hand, sounds excellent, it is presented in Dolby Digital 2.0. The stereo mix sounds very good, balancing the instruments nicely and using the full stereo field.

Next up on the first disk is Skunkworks Live which was recorded in Pamplona and Girona, Spain on May 31st and June 1st 1996 during the aptly named Skunkworks Tour. This lineup features Alex Dickson on guitar, Chris Dale on bass, and Alessandro Elena on drums. This concert runs approximately 60 minutes.

This concert picks up Bruce on tour with his band, dubbed Skunkworks, putting on another great show. The aura is very similar to the first concert of the set. The stage features a stripped down setup, the band, their instruments, a few lights, thats all you need.

Watching Bruce work his magic up there is quite a site. His powerful voice resonating through the hall. It reminds me of an interview with him that was in the Metal: A Headbanger's Journey documentary. In the interview he talks about how a good frontman can shrink the venue, make the show more intimate for everyone from the front to the back. This concert is a good example of him doing this. Watch him as he roams the stage giving all areas equal eye time, inviting them in. That is something that makes Bruce a legend, and his voice of course.

This show, as a whole, is very good, but not quite as good as Dive Dive Live. One good thing is that there is only one song carried over from the other setlist, so this show brings a whole new set of rocking with it. Highlights of this set include "Back from the Edge," "Meltdown," "Dreamstate," and my favorite of the show, "Tears of the Dragon."

The venue looks like an old warehouse, open and long with high windows along the side with a stage set up at one end. The fans filled all the empty space, front to back and side to side, and were into every note.

The concert is presented in widescreen, looks like 1.78:1. It looks decent, but suffers the same problems as the first set, there is a lot of artifacting and the detail isn't all that sharp. I am willing to forgive, as the strength of the show warrants a pass. The audio is Dolby Digital 2.o, and it does a good job of representing the music.

The first disk is now complete. It has a pair of excellent concerts showing the master in excellent form. We are off to a good start.

Disk 2
The second disk contains a single feature, Scream for Me Brazil, filmed in Sao Paolo, Brazil during the 1999 Chemical Wedding Tour. His band featured his songwriting partner Roy Z on guitar, joining him is Iron Maiden alum Adrian Smith on the six string, Eddie Casillas on bass, and Dave Ingraham behind the drum kit.

This 60 minute concert rocks harder than either show on the first disk. It features a thicker and more aggressive sound, most likely due to the two guitarists on stage, as well as Bruce's voice sounding a lot bigger and more like his Maiden material. The overall feel is still a bit stripped down, still showing a different aspect of his game. Where Iron Maiden has a rather technically precise sound, Dickinson's solo work sounds a bit looser, focusing more around his vocals and feauring a much more rock style.

The songs have a bit more of an epic feel to them, with songs like "Gates of Urizen," "Killing Floor," and "Darkside of Aquarius." Bruce seems to be the most relaxed in this set over the other two shows. He tears into each successive song with massive amounts of energy, watching him own the stage is invigorating. Like in the previous shows, watch how he involves the crowd, it is great watching him work. Perhaps, one day, I will get to see him live.

This show is presented in a 1.33:1 ratio and is accompanied by Dolby Digital 2.0 audio track. It sounds and looks decent. Good show.

Disk 3
This third disk does not contain any concert material. The centerpiece is a collection of all the videos that were shot for Bruce's solo work, up to, but not including, Tyranny of Souls. Even better, each video has an introduction from Bruce. explaining how each video came to be. For a video collection, it is quite a fascinating inclusion, and he goes into more depth than I have seen on any other video collection. The videos themselves are pretty good, even if many of them seem so dated watching them now.

Something else that is included here is the Samson video film Biceps of Steel. Samson was Bruce's band prior to Iron Maiden, and this was his video debut. Prior to the video Bruce also gave a little history on the video and what ended up happening to the band and the label that it was signed to. I had never heard Samson before, but now, after hearing them, I may try to track some of it down. The video was pretty funny, as it follows the exploits of a super roadie as he takes on club security and is seduced by the club manager. Talk about your classic metal moments.

The last thing on here is 50 minute interview with the master concerning many aspects of his solo career. Among the topics covered are the genesis of concept for his latest solo album, Tyranny of Souls, his relationship with long time songwriting partner Roy Z, differences between his solo work and being with Iron Maiden, among other things.

Bottomline. This is an incredible set, there is so much footage to delve into, and very little overlap. Bruce is an undeniable legend, a legend who still tears it up! This 3 DVD set is a testament to his legacy as a solo artist. An essential for fans and a definite must have for metal fans in general. What are you waiting for?

Higly Recommended.
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June 18, 2006

Concert Review: Audible Thought w/ Xoch, Ugly Friend, In Anchorage on 6/17/06

I am willing to bet that many of you reading this have never heard of any of those four bands in the title. Even more surprising is that you are taking the time to read about some bands that you know nothing about. I thank you for that, and the bands would appreciate the attention if my words intrigue you. It was an evening of local music, four bands, four different styles, all of them successful to varying degrees. Three of the bands were celebrating CD releases, so this was a big night for them, getting to show off some new cuts to the hungry fans.

I arrived at The Chance Theater about 8:45. As I approached the doors I saw Jim Norton, bass player for the headlining Audible Thought. I went over and said "Hi," we have met at a few shows, and he is a great guy and a hell of a bass player. Standing with him is another old friend, Steve Williams, aka Stickboy. I talked to Steve for awhile about the demise of his last band, 8 x 10, a very good straight up rock band that I had seen perform many times over the years. We also got into his new project, Stone Devil Hill, rising from the remains of the previous band. They are getting a CD together and are preparing their return to the stage. Be prepared to hear about them in the coming months.

We made it inside shortly after 9:00, the first band was a song or two into their set. This was the first time I had ever heard of them, they were called In Anchorage. Their music was sort of alternative rock sounding, and not terribly great. It was interesting to watch and listen to them, because as much as I was not moved by the music I found things to like about certain members of the band. Their sound was hampered by a poor mix, but I'm not sure a good mix would have won me over any more. Let's take a look at the good things. First up is the singer, his vocals were very good, a mix of raw and clean with some nice vibrato. He has a voice I would like to hear with music that was a bit more aggressive. Then there was the bass player, he had some nice licks, despite the difficulty in hearing him. Lastly, the drummer was excellent, he was doing a lot of interesting transitions and fills throughout the set. It was interesting to watch a band whose music did not affect me much, yet had some clear strength on some of its parts.

Next up was a band called Ugly Friend. I had seen these guys once before, but I could remember any of the specifics. As soon as they started playing, I remembered why I couldn't recall the details of their performance, it was what they played that I had blocked from my memory. Ugly Friend plays a rather bland form of Green Day inspired punk. The performance was tight, and there were a few down in the pit who were into it, but when I hear a 30 minute set that essentially sounds like one long song, I have a hard time getting into it. The one good thing I can say is the drummer was very good. His timing was spot on and he had plenty of interesting fills and transitions. It was his playing that kept me into the performance at all. There was a point when the singer/guitarist broke a string and, while he was switching instruments, the bass and drum players kept the music going with a nice groove, again with some nice fills, until the guitar was able to rejoin the fray. I am sure there are people who like these guys, but I am not one of them. One more thing, please no more massacring of Johnny Cash songs, your performance of "Ring of Fire" was not good, I don't care who tells you otherwise. The only reason it had a reaction was because people knew the words. Also, was the "fan" request a plant?

Now it was time for the first of the co-headlining acts, Xoch was taking the stage. They have been making quite a name for themselves over the past few years, but this was the first time that I have gotten to see them. However, I did see them a few times in their former incarnation, The Fuzzies. Rising from the ashes of Fuzz, Xoch has risen up and seems to be doing quite well with their sugar pop sound. Their popularity was attested to by the group of teen girls that took to the pit for their set. The rest of the audience seemed a little of sorts, waiting for the metal to return. I admit that I was suckered in by the sugar pop sounds emanating from the clubs sound system, no, this is not really my forte but there was no denying the catchiness of the songs. The lead singer, Xoch (yes, her name is the same as the band. Sort of like Alice Cooper used to be, but not really), had a charismatic hold on the stage and possesses a strong voice, but her incessant between song banter may play well to the teen set, but in this setting came off as a little too sickly sweet. The band’s performance was tight, it was a little bland, as the songs were squarely focused on her voice and the pop radio mentality, so we didn’t really get any standout instrumental performances. This is the kind of music that I can see playing well on pop radio, but wouldn’t get a lot of play in my system. I feel conflicted writing this, as I enjoyed the high energy and the pure pop experience they were delivering, while at the same time I look for more aggression and intensity. I think they will do well for themselves, and I wish them luck. Lastly, please lay off the South Park interpretation, it was not all that good and went on way too long. Sure, you will get a crowd recognition pop, but that is about it.

Finally, the moment we all were waiting for, it was time for Audible Thought to deliver their brand of metal. The band seems poised to create a shift in the local metal scene, these guys are good and getting better, each of the three times I have seen them has shown a marked improvement upon the last. The start of their set didn't go off without a hitch, as their were some technical difficulties in getting the curtain to go up as the band played behind it. Once the fabric lifted, we were face to face with this new metallic force. Their sound is in the vein of Sevendust and Godsmack without being a dupe of their style. Audible Thought is forging forward in their own musical direction, and the new material played tonight shows that, there is definite growth in the complexity and diversity in their sound. They are not a strictly heavy band, they have their lighter moments, and each turn is handled with equal aplomb. I have not yet gotten a handle on the song titles, but that will come with time. A couple of tracks whose names, and performances stuck out include "Games," "You Know," and "Speed Demon." Jim Norton was an imposing presence onstage as he prowled the stage, on the otherside Ryan Cady evokes compasions to Johnny Kelly of Type O Negative in his stage presence while he amazes us with his guitar wizardry. In the back is Carl Fogarty on the skins, I recall the first time I saw them writing about how I wished his sound was bigger, well, the months since that show have been very kind, his sound has gotten much thicker and really holds the rhythm down. Fronting the band is Lou West who has a very good voice for this material, but I think he could be a better frontman, he lacks somewhat in the charisma department, fortunately Jim and Ryan pick up the slack. Back to the performance, the highlight of the night was, without a doubt, "Darkness." The song was incredible, it covers all the bases, great vocals, heavy riffs, smooth solos, altogether a great song. On top of that, they had a guest guitarist, a young girl, I would guess in her teens, Kristen Capalino. She played along doubling Ryan's rhythm section, until she broke into a solo later in the song and proceeded to blow us all away, her playing was absolutely incredible! Besides the great solo, her presence also showed how a second guitar player helps to thicken the sound, I would not mind seeing them add a second guitarist to the band. Their sound is thick to begin with, but to see what a second guitar adds, the mind boggles. In any case, this band has a bright future, good songs, ability to put on a great live show, I look forward to seeing what they do next.

This was a spotty night of music that ended on a high note. Both of the headliners have bright futures, although I am more interested in one over the other, if you couldn't guess. If you get the chance to see them, do so. Be sure to check them out, buy the CD and be amazed.

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