Bloody Ears, Grateful Heart - Music of Italian Horror Cinema

I think it is fair to judge a man based on how the react to the subject of Italian horror. If they look at you quizzically, feel free to introduce them to some of the craziest cinema known to man. If they look at you in a disgusted or disinterested fashion, feel free to disembowel them on the spot. Now, should their eyes light up with the crazy, well, you have just made a new friend for life. There is nothing like the look, the flavor, the texture of Italian horror and when you find a like minded soul, it can be a like this bit from Step Brothers:

The Ranker: Megadeth

I am not sure why, but the other day I got in my head that I should rank Megadeth’s albums. Not all of them, just the studio albums. They are the most prolific of the so-called “Big Four” with 14 studio albums (they also have four live albums and a couple greatest hits type packages). The next most prolific is Slayer, who are about to release their twelfth album, then Anthrax with ten, and lastly Metallica with nine. Megadeth does have their fifteenth release coming in the not too distant future. In any case, I really like the band and their consistency of releasing records, despite the revolving door of musicians.

Goblin Reborn with Goblin Rebirth – Signed to Relapse Records

Goblin is one of those bands whose music just sticks with you. They are primarily famous for their contributions to horror cinema, with their scores to films like Suspiria, Dawn of the Dead, and Deep Red. I absolutely love their music. I can listen to it over and over and not get bored. I was lucky enough to see a version of the band play live during their first ever tour of the United States, an absolutely transcendent performance in Philadelphia. Now, a new line up has signed with Relapse Records under the moniker Goblin Rebirth and we may soon get some new music and maybe some new versions of old material.

A Revisitation: Type O Negative

In my limited music exposure I have come across a few bands that released albums that were ahead of their time as well as bands that found me lagging behind. I have just experienced a brand new situation. Prior to this past week, I do not think I had encountered anything like this. I have been listening to a band I have been a fan of for years but have not listened to for awhile and I have discovered an entirely new respect for them. Perhaps I have finally caught up to where they were so many years ago. The band? Type O Negative.

CritCast #6: Favorite Albums of 2011

In lieu of doing a written list I decided to do this as a video. Not my best work, but I hope you enjoy!

Favorite Albums of 2010: 15 Bands You Don't Want to Miss

This is not a "best of" list. I have come to the decision that I cannot have possibly listened to enough to make any sort of definitive list. As it is, I feel my list of reviewed albums for this year is woefully short. No matter how much I do it never seems to be enough. Still, I did get exposed to a lot of fantastic albums from familiar artists and those I have never heard of before. I also cheated a little bit, a couple of my favorites from early in the year are actually 2009 releases, but I don't care. Well enough of this preamble, let's get down to it, shall we?

A Few of My Top Albums for 2009

One of these days, I promise to organize my music listening habits a little better. With that said, this is a far cry from any type of "best of" list. First off there is just way too much music released each year to make any kind of judgment. Seriously, there are so many albums released that it would be impossible to listen to it all. For my efforts here, I have simply gone back over the albums I reviewed this year and compiled those that topped the scales. I then took those albums and placed them into a top ten list format.

To recap, these are my best reviewed albums of 2009. It is not a terribly large sample and I did listen to some good albums that I have not (or not yet) reviewed. So, take this for what you will. Just, rest assured that these albums are all worth your time.

1. Cynic - Traced in Air. It's 16-years since Cynic released an album. How could the reunited band possibly live up to the greatness that came so long ago? That is a thought I had going into this experience. A thought I had without being familiar with their prior highly regarded release. As it turns out, it does not matter what your experience with the band is, this is an amazing album that lasts an all too brief 32-minutes. Flawlessly produced and beautifully executed, this combination of progressive, metal, jazz, and experimental music is an album to be savored. The band is replete with virtuoso instrumentalists who have plenty of opportunities to show what they can do, all while never falling prey to egotistical displays of excess. There are no rambling jaunts, or overdone solos, everything works toward the benefit of the song at hand. This is an album that begs to be explored by anyone with a love for music.

2. Drag Me to Hell - Music Composed by Christopher Young. That's right, my number two album is a film score. If you have heard it, you will likely understand why. The score is filled with somber violin solos, big choral pieces, Gothic bombast, and not a little bit of restrained sweetness. The music covers a wide range of range of emotions while never letting you escape from its grasp. What really makes the composition click is the film's main theme, which is introduced by a solo violin in the opening track. Put it in, press play, enjoy.

3. Rhino - Dead Throne Monarch. What would you get if you mixed sludge metal, doom metal, thrash, death metal and grunge (yes, grunge) in a heavy iron cauldron? You would get an album called Dead Throne Monarch with a side of Rhino. What a pleasant surprise this was. This is an album I did not have a lot of expectations with, but when I gave it a listen I discovered something special. Vocals that run the gamut from vocal cord destruction to a Layne Staley-like wail pair with punishing guitars that threaten to pound your skull in. Yes, over used phases to be certain, but highly effective in describing an album that oozes originality.

4. HORSE the Band - Desperate Living. It is hard to believe that I initially did not care for them. Their two subsequent releases since that unfortunate initial encounter have shown the band growing by leaps and bounds. This may just be their most accomplished work to date. It seems that the metalcore tendencies have been pushed down into the mix in favor of atmospheric ramblings, synth-experimentation, and a general aura of individuality which has furthered their ability to stand out from a crowd. Raw guitars, solid drums, and their signature 8-bit synth come together to craft a fascinating album that is as familiar as it is unique.

5. CrimsonFaced - Lunatic Binge. Independently produced, endlessly imaginative, and worthy of a larger stage, Lunatic Binge is an album that leaps from the speakers and offers a unique musical experience. It is the creation of a singular vision, a blend of love and hate and spiced with dark recesses of the mind. This music is crafted with a blend of old school and new school influences creating something that is accessible but also distinctly different. Strong vocals and even better guitar work pepper the album that revels in its independent nature. It is not a flawless production, but it is one that is distinctly human. In addition to the music, the album has personality, which is something lacking in so many big releases.

6. Behemoth - Evangelion. This trio push their skills to the edge and deliver an engrossing experience that leaves me in awe while reinforcing the thought I am listening to the voice of Satan, perhaps not his words, but definitely his voice. This album is not overly long, but it really packs a punch. The brutal speed seems to be front loaded and gradually slows down throughout, taking you on a musical journey, a path that allows the different sides of the band to shine through. They are definitely a band to be experienced as they do their best to stand out.

7. Bill Leverty - Deep South. Does that name sound familiar? No? How about Firehouse? If you were a fan of music through the "hair" era it likely does. Bill Leverty is Firehouse's guitar player. This album is a collection of interpretations of old school Southern tunes. It is not a collection of shredding instrumentals or 80's throwbacks, rather it is a personal album crafted by a man paying tribute to his roots and influences. It is a very easy album to get into and also very easy to appreciate.

8. Chimaira - The Infection. This album rises like a zombie, the violence and darkness that came with their rise from the dead has turned them into an angry, vicious monstrosity that is ready to infect anyone in the vicinity with its mix of metalcore, hardcore, death, industrial, groove, and sludge metal. No two albums from this band sound quite the same, each one chronicles growth, change, and maturity in their creation. The album is slower than past releases, but still houses plenty of brutal metal. It shows the next step in their evolution with the instrumental "The Heart of It All" acting as the perfect centerpiece. Turn it up and bang your head!

9. Kylesa - Static Tensions. Fascinating album. This band is rather experimental in their technically proficient in their jam-band like metal excursions. In some ways they are reminiscent of Mastodon. Static Tensions is not a passive album. Sure, you can toss it on for interesting background music, but that will only last so long. At some point a riff, a chord progression, a vocal yowl, a drum fill, something will get your attention. At this stage you are trapped. It may take one song, or three, or five, but it's bound to happen. Once hooked you will be on for the ride. It begs for multiple listens as the open compositions and diabolical rhythms toy with your head.

10. La Coka Nostra - A Brand You Can Trust. At the same time this album is like meeting up with old friends and listening to something completely fresh. There is a familiarity there that does not breed contempt, it is built on something that brings nothing but happy thoughts. It is that high school reunion where you meet up with your old buds and see how they have changed and the successes they have had. They are the same people you know but they are different. La Coka Nostra is something of a House of Pain reunion as it features Everlast and DJ Lethal. The difference is that this House of Pain has gone back to the streets, the beats are rougher, the raps edgier, yet still catchy and easy to get into. I am not the biggest fan or most knowledgeable when it comes to hip hop, but I know what I like, and I really like this.

Other notable albums that are worth taking a peek at:

Hellsongs - Hymns in the Key of 666. This is a fascinating album of metal cover tunes that have been deconstructed and rebuilt in mellow acoustic driven fashion. It is really quite good.

Shadows Fall - Retribution. This release does not break any new ground, but it is the creation of a band possessed. If you like metalcore, this is one for you.

Ghost Brigade - Isolation Songs. Here is a band still finding who they are and giving you a chance to get in on the ground floor. They shift from heavy, sludge filled riffs that could grind bone to powder to soft, melodic passages with ease, crafting a standout album.

Mark Knopfler - Get Lucky. If you want some nicely written and executed laid back tunes on the folk-rock tip, this is going to be one you want. There is some strong guitar work and you cannot find anyone who sounds quite like Mark Knopfler.

Iron Age - The Sleeping Eye. It has a sound that begs to be listened to more. The more you listen, the more you pick things up, things like the solo work that you may be tempted to gloss over, or the transitions between the thrashy and the sludgy portions. If you like metal, you will want to give these guys a listen.

Seventh Void - Heaven is Gone. Kenny Hickey and Johnny Kelly have a side project and it has resulted in a solid slab of hard rock that brings to mind early Black Sabbath and 90's grunge.

Tombs - Winter Hours. Tombs' sound is akin to a reverse prism, taking all the colors of the rainbow and reintegrating them into white light, so Tombs takes the varying styles of metal and integrates them into one big post-metal wall of sound.

Lamb of God - Wrath. This is one hell of a band. If you like your metal raw and aggressive, this album will fit the bill. Raw vocals, jackhammer drums, heavy riffs, all from a band that actively attempts to transcend the genre will remaining happy just inhabiting it.

That wraps up this years releases. Keep an eye out for more music reviews from yours truly. And hopefully a more organized 2010 list!

Happy Listening!

2008: The Year in Music

Year end lists are not an easy thing to do, and generally are of little interest outside of looking at others in hopes of justifying your own likes. Still, I enjoy the task and look forward to the end of each year to once again try and come up with something to share with anyone who chooses to peek. The biggest problem I run into each year (and something I hope to change in 2009) is that I never keep close track of my new discoveries and such for each year. So, I am left to work off of my memory and take a look over what I reviewed throughout the year (and double checking their release dates). The end results for the 2008 campaign is a 22-album list spanning albums I have reviewed and a bunch I haven't.

Something I noticed while going over my listenings is that I did not stray too far into much esoteric stuff. Most of the titles that stick to my memory are pretty close to the mainstream. However, with that said, they should not be dismissed too easily as even mainstream bands can release good music too. Furthermore, I want to thank everyone who has recommended artists too me, I need to start keeping a list. Please keep them coming, I do not know when I will get to them, but I do appreciate them.

On to the albums of 2008! They are in no particular order beyond the top 5, and remember this is not intended as a "best of" and is intended for informational purposes only. Outside of that, I hope you enjoyed some of these albums as much as I did.

Warrel Dane - Praise to the War Machine. This is an album I was not expecting a lot from, but from the very first listen I knew I loved it. I have become a Nevermore fan over the years and really like Dane's voice. The material here is distinctly different from Nevermore and feels a lot more personal. Warrel Dane's voice is powerful and carries so much emotional weight that it is hard to ignore. Now, it is not only his voice that makes this album so good, but the music and lyrics as well. It really is a complete package. Favorite tracks: "When We Pray," "August," "The Day the Rats Went to War," and "Brother."

Gojira - The Way of All Flesh. Ever since I first experienced Gojira live, back in 2007, I have been in love with this French metal act. They floored me with their impeccable musicianship, songwriting, and sheer heaviness. It took me a while to get a copy of The Way of All Flesh (long story), but one listen and I knew the love affair was destined to continue. They remind me of a metal jam band, a tighter version of Mastodon perhaps. I know, not a terribly good analogy, but it works a bit. This new album shows the band improving their song writing while keeping everything heavy and brutal, even showing stronger musicianship. This is a band to definitely keep an eye on. Favorite Tracks: "Toxic Garbage Island," "Vacuity," "A Sight to Behold," and "The Art of Dying."

Testament - The Formation of Damnation. Is The Formation of Damnation good? You're damn right it is! Testament has successfully continued their legacy of creating first rate thrash metal. The music is as fresh and relevant as it has ever been. This album is filled with bone crushing, yet melodic riffs, soaring solos, driving drums, and instantly recognizable growls. In short this is every bit the album that you could have hoped it would be. It is proof positive that nine years between albums has not dampened their ability to create thrash metal that is as familiar as it is new. Plus, it gets better upon multiple listens. Favorite Tracks: "More Than Meets the Eye," "The Persecuted Won't Forget," "Henchman Ride," and "F.E.A.R."

Meshuggah - obZen. From start to finish, it is filled with some incredible songwriting, varied structures, and deliciously complex arrangements. It is just flat out heavy. obZen is a haunting experience that really grew on me upon multiple listens. I found it very easy to listen to them and not listen to them at the same time. Yes, I am aware of how odd that seems, but hear me out. When the band is in the midst of their extended rhythmic dirges, with no vocals present, I found myself nearly hypnotized by the syncopated rhythms, shifting time signatures, and discordant leads. It was to the point where I was taken away from the music on a layer of sound to a place where nothing mattered. I just floated along on the musical composition. It is hard to describe, with hypnotic being the best word. t It almost makes me wish they did some completely instrumental work. Favorite Tracks: "Electric Red," "Pineal Gland Optics," and "Dangers to a Discordant System."

Opeth - Watershed. Let me start by saying that Opeth is one of the most amazing bands you are likely to listen too. Let me also state that I have heard way too little from this band and need to do some serious digging. This is simply a phenomenal album that begs to be listened to a lot, offering many opportunities to discover something new. They bring mellow, heavy, and progressive elements under one banner, providing a unique listening experience that will leave you clamoring for more. Watershed is an album to be treasured. Favorite Tracks: "The Lotus Eater," "Burden," and "Porcelain Heart."

Polkadot Cadaver - Purgatory Dance Party. The music will draw you in and hold you in its thrall. The arrangements are quirky, the combination of polka, jazz, rock, metal, and lush acoustic melodies all blend into a musical stew that is unlike anything you are likely to find on the radio. None of the members strike me as virtuoso musicians; however, as we all know, it is not always how well you can play your instrument, but how well you collectively play your instruments together. Favorite Tracks: "Chloroform Girl," "Wolf in Jesus Skin," and "What's the Worst Thing That Could Happen."

Warbringer - War Without End. Warbringer does not really bring anything new to the table but what they do, they do well, very well. When you first hear them, you may momentarily think that this is an old school thrash band, but that is just the sound of a young group of guys throwing their heart and soul into the sound they believe in, and doing it well. And, yes you will find a lot of similarities to those other bands, but what you will not find is a copy. While they have the influences and take their cues, this band sounds fresh. Favorite Tracks: "Total War," "Combat Shock," "Dread Command," and "At the Crack of Doom."

Guns N' Roses - Chinese Democracy. I was fully expecting not to like this album. I was wrong, I really dig it, although I think I will always have trouble calling it a GNR album. Still, Axl has taken a long time to do it, but he has delivered an album that delivers the hard rocking goods. Sure, it does not reach the insane heights of Appetite for Destruction, but it has a sound that would have been well received if this had been the follow up rather than the Use Your Illusion pair. Axl sounds like Axl and there is some strong guitar work. Favorite Tracks: "Shackler's Revenge," "Street of Dreams," and "I.R.S."

Cavalera Conspiracy - Inflikted. Somehow, I almost forgot about this release when I was looking to put this list together. This is the reunion of the brothers that were a big part of the rise of Sepultura. Max Cavalera taking a break from Soulfly and Igor Cavalera leaving Sepultura allowed the dup to reunite and put this project together which is heavy and driving in a way only the Cavalera's can provide. It is raw and in your face metal that will not be ignored (nor forgotten no matter how hard you try). Favorite Tracks: "Inflikted," "Black Ark," "Ulta-Violent," and "Must Kill."

Metallica - Death Magnetic. This is sure to be a controversial inclusion (along with Chinese Democracy). The biggest problem with this album is the mix is terrible, everything is clipped to hell making the disk almost unlistenable and when Lars tells you it sounds good, he is lying through his teeth. Still, the music is solid. This is very near a perfect throwback to their old sound. While it does not near those classics from the 1980's, this would have been a very good follow up to ...And Justice for All. The riffs are heavy, there are good solos, and the songs just rock. I will say that Hetfield's voice is not all its cracked up to be and someone needs to wrestle that wah-wah pedal from Hammett's grasp, but otherwise this is some rocking stuff. Favorite Tracks: "Broken, Beaten, & Scarred," "All Nightmare Long," "Suicide & Redemption," and "My Apocalypse."

Kip Winger - From the Earth to the Sun. This strikes me as a deeply personal album for the songwriter. There is much sadness throughout, balanced with moments of hope and redemption. The music here is filled with the emotion of a man working through tough emotions, letting them all out in the recording studio. I never thought Kip had great tonal range as a singer, and that remains true here, but his passion makes up for any range issues in his music. Just listen to him sing, brimming with emotion without a tinge of sentimentality. Frankly, this may be the best music I have heard from him. Favorite Tracks: "Every Story Told," "Nothing," "Where Will You Go," and "Ghosts."

Black Tide - Light from Above. Energy is a good word to use when discussing Black Tide. This young quartet attacks their music with energy and aggression that is downright infectious and goes a long way in covering up their shortcomings. You can almost see these guys ripping into tunes during a stage show. If you like metal, there is no way you cannot enjoy these guys. Favorite Tracks: "Warriors of Time," "Give Me a Chance," "Let Me," "Enterprise," and "Live Fast Die Young."

Communic - Payment of Existence. There are some bands that when you listen to them the good songs will make themselves apparent, or there will be someone who delivers a jaw-dropping performance. Communic’s Payment of Existence does not have any of those moments. The best I can surmise is that the album is so solid across the board that everything was done at the top of their game, therefore there are no bad tunes to make others look good. Does that make sense? It is like there is no such thing as good without bad, and since this album does not have any bad material, there is no good to rise above the rest. This is an album that you will not want to miss. Favorite Tracks: "Through the Labyrinth of Years," "Raven's Cry," and "Stone Carved Eyes."

Alice Cooper - Along Came a Spider. With Along Came A Spider, it appears that Alice has gone through some sort of rejuvenation; perhaps he took a dip in the Lazarus Pit. This album sounds like old school Alice blended with a more modern production sound. It is a step up from Dirty Diamonds, which, while good, sounds more like an album that would come out at the tail end of a career, whereas Along Came A Spider sounds like it came from an artist with a lot more left to give. Alice Cooper has done it again, delivering a strong album that should not be overlooked. He has crafted a loose tale of murder, dismemberment, and evil with a soundtrack that is deceptively upbeat. He even ties it in with an older release, mentioning Steven of Welcome to My Nightmare fame. Favorite Tracks: "Vengeance is Mine," "Wake the Dead," "Killed by Love," "Salvation."

Kingdom of Sorrow - s/t. I don't know what it is about Kingdom of Sorrow, but I like this album. I really like this album. For the life of me, I cannot quite put my finger on it. By all accounts, it should not be good. There really isn't anything on here that stands out as new, unique, or original. I have heard similar riffs and vocals on countless other albums, both better and worse, but I still feel drawn to this collection of sludgecore (yes, I made that up, I think) tunes ever since I got it just this past week. It is heavy, it is crunchy, it is catchy, and it is infectious, all great attributes if you want an album that has replayability. Favorite Tracks: "Piece it All Back Together," "Demon Eyes (Demonized)," "Screaming into the Sky," and "Buried in Black."

Ascension of the Watchers - Numinosum. The Ascension of the Watchers project is a huge departure from the heavy styles of Burton C. Bell's other band, Fear Factory. There are no jackhammer riffs, no skull crushing drums, no vocals that make your throat bleed. This is not a metal album, pure and simple. This is Burton expanding his horizons, stepping away from his metal roots and displaying another side of himself. This album is fascinating in the way it grows on you. My first listen was a little awkward as I tried to work around what Bell is presenting. The music is atmospheric, swirling, mellow, introspective, personal, mature, and distinctly not metal. Lyrically, the album has a fiercely personal edge. It is like Burton is letting himself pour out over the music, exorcising himself of deeply felt pain, love, something, anything. A desire to get these trapped thoughts and feelings out into the open. It may take a few listens, but it is all rather beautiful. Favorite Tracks: "Evading," "Canon for My Beloved," "Mars Becoming," and "Violent Morning."

Apocalyptica - Worlds Collide. This album has a distinctly commercial oriented sound, yet there is enough heavy fringe flavor to keep me satisfied. It seems as if they could be making a play for a mainstream audience, which I would certainly not begrudge them. Even with the commercial tinges they remain an exciting voice for originality. This is a high quality release that deserves as much attention as they can garner. Favorite Tracks: "Grace," "I'm Not Jesus," "Last Hope," and "Helden."

Genghis Tron - Board Up the House. This is an excellent album, although it is the instrumentation that drew me in and held my attention. The vocals really did not do much for me as they consisted of your generic screaming mixed with a little melodic singing. His voice did not stand out to me, but fortunately it did not detract too much from the musical journey that they took me on. These three were able to create an amazingly expansive, dare I say even epic, sound. The variety of sounds they brought together in any number of layers was quite striking. Favorite Tracks: "Board Up the House" and "Things Don't Look Good."

Whitechapel - This is Exile. This album came out of nowhere and, frankly, I have no idea where I first picked up on them, but this album is grinding, brutal, and just kicks you in the face. If that doesn't get your attention I don't know what will. There are probably better deathcore bands out there, but you know that every once in a while one will jump out at you for very non-specific reasons. This is one of them. I love the in your face attitude, heavy guitars, bloody throated growls and the way it never lets up. Favorite Tracks: "Father of Lies," "Possession," "Exalt," and "Death Becomes Him."

Dark Lotus - The Opaque Brotherhood. The Lotus is back, this time as a five piece consisting of Violent J, Shaggy 2 Dope, Monoxide, Madrox, and Blaze. This was made during the time following ABK's departure from Psychopathic and prior to his return, whether or not he will rejoin Dark Lotus is yet to be seen. I am not sure if this is their best album, but there are a lot of good tunes here, including one that seriously creeped me out. For that fact alone it is worthy of being on this list. The song is called "Witch Trapped in this Song," try listening to it in a dark room with low volume as you try to sleep. The album is highlighted by strong beats and good raps by all involved. Favorite Tracks: "Black Sand," "Can You Keep a Secret," "Keep Up," "Witch Trapped in this Song," and "Hot Poison."

Disturbed - Indestructible. To be completely honest, I never expected to love another album from Disturbed. They came out strong with The Sickness but have been sliding ever since. I don't know what it is, but they are back on track and stronger than ever. This is not quite metal, but very strong hard rock. Indestructible is filled with great riffs, driving rhythms, and strong vocals. This is an album that does not break any new ground for the genre, but does everything right within the standards of the rock standard. This is music designed to be played loud, so put it in, turn up the volume, and rock! Favorite Tracks: "Into the Fire," "The Night," "Haunted," and "Divide."

Iced Earth - The Crucible of Man (Something Wicked Pt. 2). Let's begin by saying that this is a homecoming I have been wanting ever since he left some years ago. Vocalist Matthew Barlow is back where he belongs, as the definitive voice for the long running band Iced Earth. It is amazing how often this band changes line ups, but it is easy to see the best ones include Barlow on the mic. This album is the second part of a long running concept that began with album Something Wicked This Way Comes and picked up in earnest with Framing Armadgeddon(featuring Ripper Owens on vocals). There is something about the way everything fits together on this sequence of albums, like a long form rock opera. Filled with pure power metal, riffs, solos, and high drama. It is not to be missed. Favorite Tracks: "Crown of the Fallen," "I Walk Alone," "Harbinger of Hate," and "Come What May."

As an addendum to this list, 2008 was also a pretty good year for live music. Here are a few of the top acts I had the good fortune to see live:

Iron Maiden. I never thought I would see this band live, in 2008 I was able to see them twice. In March I saw them in the Meadowlands and in July I saw them again at Madison Square Garden. I went to both shows with friends and had an absolute blast. I daresay this may be the best band I have ever seen live.

Audible Thought. Sure, these guys are friends, but they are still a good band and on the rise now that they seem to have a stable line up. They are strong live performers and have a lot of potential.

Testament. These guys came through in support of the great release The Formation of Damnation and proceeded to tear up the stage. Alex Skolnick is a great guitar player, pair him with Eric Peterson and it is hard to keep them down. Also, do not forget Chuck Billy's imposing stage presence and powerful voice.

War of Ages and Soilent Green. I was introduced to both of these bands during a Hatebreed show (they were great too). The former I had been interested in, while the latter is brand new to me. They left a great impression on me and the crowd, definitely work checking out.

Mushroomhead. This band stops in town on a pretty regular basis and always deliver. They have an absolutely wild sound and have a great stage show that never fails to get the crowd involved.

Overcast. The band from the early 1990's is back again. Featuring Brian Fair (Shadows Fall) and Mike D (Killswitch Engage), these guys tear it up on songs from their younger days which are new to most of us.

Misfits. The year closed out with a show featuring the Misfits (although Jerry Only is the only one left). It was the last night of the tour and everyone was having a blast. The night featured nine bands and two stages. Murphy's Law was there as were my friend's band as one of the openers. A few friends from work showed up and we all had a great time.

My Favorite Albums of 2007: NOT a "Best of" List

As the end of the year approaches, I began to give some thought to putting together a "Best of" list for all the music I heard this year. I gave it some more thought and began to put down a list of top candidates. As the thoughts stirred and swirled in my mind, I realized there was just no way I could put together a best of anything list. Why? Well, while I did listen to a lot of music, there was no way I could listen to everything. It is flat out impossible to do that. Still, I wanted to put something together. What you will read below is a list of some o my favorite albums of 2007. I couldn't even narrow it down to ten, but so be it. Hopefully you will find something here that will pique your interest enough to check out. There have been some truly great releases this year.

So, remember this is not a best of list, and if anyone tries to pass off a best of list on you, don't believe them. Just read them for suggestions for great music. When it comes right down to it all we want is good music, right?

Aside from the Tomahawk album (which, ahem, ,is the best of the year), they are not in any particular order.

Tomahawk - Anonymous. No matter how many different albums I listened to, I always found myself returning to Anonymous over and over again. It is haunting in concept and unforgettable in execution. The band wrote interpretations of Native American music through their rock and metal filter, resulting in composition that sound completely original while remaining entirely faithful to the source.

The combination of Native American music with more modern styles would seem to be naturally at odds with each other. Fortunately, the two sides come together in perfect harmony creating music that is infectious. It gets under your skin and transports you to another world where music is more adventurous and originality is the norm.

Cephalic Carnage - Xenosapien. An album of first rate Rocky Mountain HydrGrind, at least that is the label the band has given themselves. Ask me what it means and you will be greeted with a confused expression. I have no clue as to what subgenres should actually be used to describe them. Suffice to say, it is extreme. Xenosapien is an excursion into metal experimentation, combining elements of death, grind, and jazz into a dizzying concoction that will satisfy any aggressive streak and challenge the listener with its complexities.

Dream Theater - Systematic Chaos. This album was like hearing Dream Theater again for the first time. It may not be their best, but it is the best they have put out in years. It is accessible yet it still contains everything that fans have come to love from the band. Systematic Chaos is an impressive debut for them on their new label, Roadrunner Records. It is heavy and technical, melodic and catchy, everything I wanted. The album is capped by one of favorite DT cuts in some time, "The Dark Eternal Night."

Megadeth - United Abominations. Here is a band that I never expected to see on a top ten list, at least not going by their last few releases (not that they were bad, but they were not in the upper echelon). United Abominations is clearly a finely polished album, but there is something about it that harkens back to the glory years. There is a strong focus, a will to reassert Megadeth as a relevant force to be reckoned within the modern metal world. I must admit to being impressed with this album. It isn't quite as catchy as the classics, but it definitely has a way of getting into your head and rattling around.

Horse the Band - A Natural Death. I was first introduced to Horse earlier this year with The Mechanical Hand, it was not an experience that won me over. I didn't hate it, but there was something about it that did not quite click. Well, along comes A Natural Death and whatever happened between these records made them click. This is an excellent release of musical oddities. The music is complex, with some wild drumming and creative use of synth to create their signature Nintendo-core sound. This is a band to keep an eye on, especially if this is a sign of things to come.

Lonely China Day - Sorrow. Simply put, Sorrow is a beautiful album, and most definitely different from most of the music on this list. It is quite unlike anything else I have heard this year, or am likely to hear for some time. Sorrow is filled with sprawling soundscapes that are challenging and relaxing. It is a strange combination of sounds and feelings that will surely have an effect on you even if you don't know what they are saying (much like myself). It is beautiful, haunting, unique, and has proven nearly impossible to review the way it deserves to be reviewed. I could just say that if you like music on the fringe, this is for you. However, that would be all too easy. Intriguing vocal lines, soft guitars, sparse melodies, there is a lot to love, a lot to digest, and is quite simply a great listen.

Polkadot Cadaver - Purgatory Dance Party. The music will draw you in and hold you in its thrall. The arrangements are quirky, the combination of polka, jazz, rock, metal, and lush acoustic melodies all blend into a musical stew that is unlike anything you are likely to find on the radio. None of the members strike me as virtuoso musicians; however, as we all know, it is not always how well you can play your instrument, but how well you collectively play your instruments together. Once you get past the music I recommend that you give a slightly closer listen to the lyrics. The words will slowly -- or quickly depending on which song you start with --reveal the creepy, dark, disturbing, and perverse side of the band. Now, how can you go wrong with that?

Iced Earth - Framing Armageddon (Something Wicked Part I). Here is a band that I was initially lukewarm to that has become one of my favorites. I was worried when Matt Barlow (my favorite vocalist from the varied incarnations) left the band, but Ripper Owens has stepped up and taken the band in a new, but still Iced Earth, direction. This album is the first part of an epic saga to be concluded in 2008. Beyond the story aspect of the album, the band is top form with soaring vocals, epic sonic compositions, and some great riffing. This is an album to disappear into and a definite step up from The Glorious Burden. Along with this album, be sure to include the precursor album from earlier this year: Overture of the Wicked. Do yourself a favor, if you like metal, get this album.

As I Lay Dying - An Ocean Between Us. This band made it to my hit list when I first experienced their music live on the Taste of Chaos tour last year. Shadows are Security turned out to be a really good album, and their follow up is even better. The metalcore sounds are toned down while a more melodic metal approach enters the mix. The album is heavy, catchy, and just a great listen, a lot more "metal" than I had ever expected from them when I first heard of them. There is no denying that their skills as musicians and songwriters are growing and maturing, and this is a great sign of things to come.

DevilDriver - The Last Kind Words. Dez and DevilDriver just keep getting better with each successive album. His Coal Chamber past has been all but eradicated in this meeting of metalcore, death, and thrash at the intersection of melody. There is some great riffing and soloing from the two guitar players, and some of the best drumming I have heard this year. With The Last Kind Words you will find an exciting metallic blast that should not be dismissed. Heavy, fast, catchy, DevilDriver has delivered an album that solidifies them as a force to be reckoned with.

Sebastian Bach - Angel Down. Is this 1989? Whoever would have expected such a killer album from Bach? On top of that, who would have thought he would be the guy to bring new studio recordings from Axl Rose (who guests on three songs)? However you want to cut it, this is a strong metal and hard rock album that is a lot better than it had any right to be. It harkens back to Skid Row's Slave to the Grind while also sounding completely modern. Bach shows that his voice is as powerful as ever, and he also did a good job of surrounding himself with first rate musicians.

Devin Townsend - Ziltoid the Omniscient. This is a concept album that centers on an alien named Ziltoid. He is a time traveling being that has come to Earth in search of the universe's greatest cup of coffee. Disappointed by the brew that meets his lips, he turns and attacks the planet in retaliation. Following the attack, Ziltoid sets out to become a great guitar hero, only to be faced by Captain Spectacular who seeks to expose Ziltoid's true nature, that of a nerd. How can that not be one of the best albums of the year? On top of the killer concept, Townsend not only sings but plays (or programs) the rest of the instruments. The combination of great music and absurd story had me hooked. This album is Townsend stretching free from the confines of a band and stepping into another realm, becoming the fourth dimensional being. If you are looking for something a little different and highly entertaining, this is an album you will want to spend some time with.

Cosmosquad - Acid Test. A fusion of rock and jazz under the banner of progressive seems like the best way to describe this offering from Cosmosquad. This is definitely a change of pace from my usual leanings, but that makes it no less good. It is an impressive array of instrumental music ranging from the sublime beauty of "The Long Walk," to the playful funkiness of "Bed Bucket," to the heavier rock of "The Spy Who Ate Her." Cosmosquad take you on a journey through rock/metal/jazz fusion that sounds refreshingly lively, random, completely unplanned, and is ultimately thoroughly satisfying. It is a new world that I have little experience with. This is the tip of the iceberg for a new unexplored area of music that I may not get to spend much time in, but will always be willing to explore.

Alex Skolnick Trio - Last Day in Paradise. To steal a phrase, this album is "all killer and no filler." It is an album that you can lay back and groove to, or listen close to each of the band members considerable contribution. Skolnick's playing is smooth, clean, and unlike anything I had heard from him before. He plays with an assured confidence that is not flashy, but none the less fantastic to listen to. Bassist Nathan Peck lays down some great bass grooves, particularly on "The Lizard." Finally there is drummer Matt Zebroski, a solid drummer who compliments each song and delivers snappy hits that are considerably different than the metal drummers I am used to hearing. This is an impressive album, the complete package of musicianship and songwriting. Skolnick continues to impress after all these years. If you want something to groove to and get some impressive fretwork at the same time, this is an album to check out.

Blaze - Clockwork Grey, Twiztid - Independents Day, Insane Clown Posse - The Tempest. These last three go together as an good example of the work that came out of Psychopathic Records this year. I am not the biggest fan of hip-hop or rap, but for some reason I have been a fan of these guys for years, and they continue to put out good albums that go beyond the gimmick, if you give them the time to look. ICP's latest is their best release in awhile, buoyed by a reunion with producer Mike Clark who has always been a big part of their sound. Twiztid's release was once again strong, and as usual, it took a few listens to really sink in and reveal itself. That is a phenomenon that has followed them ever since Freekshow. Finally, Blaze, while not terribly prolific always delivers the goods. All three of these albums are very good and worth spending some quality time with.

That about wraps up my favorite albums of 2007. I know, it's more than the standard length of ten albums, but I just couldn't figure out who to cut or if I really wanted to cut any. So, here it is. Hopefully you found something worth checking out.

And remember, this is not a best of, just a list of the albums that I really liked this year.

Christmas Help: Music for the Movie Lover

When it comes to the movie lover in your life, gift giving does not have to begin and end with the DVD. Of course, the obsessed movie fan in your life is surely going to want to receive some of the latest releases or a selection of classics, so be sure to fill those needs, desires, and wants first. Following those gift purchases, if you are still stumped, or don't want to worry about possibly giving duplicates, there are other options. What options are these you ask? Music! Yes, music, more specifically, the gift of movie music. Scores and soundtracks are a great idea for the movie fan, even if they don't know it.

There are scores of scores to choose from. The trouble is finding the right ones. With so many options, how do you know which one(s) to get for your special someone? You see, not all scores are created alike. Some work well as a standalone work, others serve as a great way to relive the movie experience, while others are a miserable slog regardless of how much or how little you liked said film.

What I hope to do is point you towards a few releases that are well worth your time. There may even be a couple that are on my wish list (hint, hint).

Before I get to the movie scores, there are a couple of albums that I got that are not from films even though there is a big movie connection for them.

• Evil Dead: The Musical. Yes, you read that right. An off-Broadway play was created and this is the resulting music. If you are a fan of the classic Sam Raimi splatter films, this is not to be missed. How can you not like a play set at a secluded cabin that is set upon by demonic forces? The songs are inventive and a lot of fun.
• Spamalot. Monty Python and the Holy Grail is quite simply one of the funniest films ever made. This Tony Award winning musical successfully captures the over-the-top humor of the film while also delivering its own unique experience. This is more than just a copy of the movie. I have seen this show and loved it. This CD is a must for any Monty Python fan.

Moving along, last year yielded a number of memorable scores. In case your chosen has not yet added them to their collection, here are a few of the notables:

• Casino Royale. David Arnold composed the music for the latest James Bond outing, and it works wonderfully. Of course, you have to wait until the end to hear that classic Bond theme that debuted with Dr. No. This may not be the best of the series, but it is a strong score that Bond fans are sure to enjoy. Most of the older scores should be easy to find and would be good choices as well. The only one I have is for From Russia With Love, and it is a good one!
• The Fountain. This movie was strange. It is the kind of movie that will split the audience right down the middle. Whether you like the movie or not, the music is undeniably great. It was composed by Clint Mansell and performed by Mogwai and Kronos Quartet. It is mesmerizing, engrossing, and unforgettable. Easily my favorite score of the year.
• Notes on a Scandal. Philip Glass wrote the haunting score for this low-key thriller. This is music that will stick in your head long after the disk has stopped spinning.
• Pan's Labyrinth. Beautiful, dark, and mysterious, so is the music accompanying Guillermo Del Toro's breakthrough film last year. Javier Navarrete composed the music and it stands as my second favorite of the year.
• Superman Returns. John Ottman had the unenviable task of reworking John Williams' classic themes for the new Bryan Singer film. Did he succeed? Very much so. Yes, there is a lot of John William's work here, but Ottman does a fine job of recreating those themes and then expanding on them with his own ideas. Excellent for Superman fans. Of course, the original score is available as well. If they don't have that one.....

2007 has brought some great scores as well, and they aren't limited to the big screen. This will likely be a good place to focus your attentions. That is, unless the person your shopping for has already gone out and gotten the albums they want already.

• Darjeeling Limited. Not a score, but an intriguing collection of music that I want to get my hands on. I cannot claim to be a big fan of the movie, but the music is an eclectic mix of American and Indian. Much of the music obtained from popular Indian films. Definitely unique among this year's releases.
• Sweeney Todd. This is a preemptive inclusion. I have not seen the film and am not familiar with the musical. I am taking a leap and believing that I am going to like, if not love, the songs and music. I have faith in Burton and Depp adapting the Sondheim musical.
• Transformers. No, not the pop rock album that came out when the movie was released, but the more recent release of Steve Jablonsky's score. It is big and bombastic to match the movie. Fans of film scores will not want to miss this one.
• Grindhouse: Planet Terror/Death Proof. A combination of score and songs, these two albums deliver experiences much like the films that spawned them. That said, these are only recommended for those who enjoyed the movies. The more casual fan will likely not care for them.
• Stardust. The music for this comedic fantasy is as much fun as the movie itself, and believe me, the movie is a breath of fresh air. The score, by Ilan Eshkeri, is a delight to the ears, and works nicely as a stand-alone album.
• August Rush. Here is a movie that is part musical, part narrative, and all magical. By and large, the music is just as magical. Sure, there are a couple of duds to be found, but the excellence far outweighs the disappointments. Orchestral work rubs elbows with spectacular acoustic pieces adding up to a must have album.
• Pirates of the Caribbean: At World's End. I could have just as easily included last year's Dead Man's Chest album as it is excellent as well. The music on both is excellent, fun and big. Pretty much what you would expect from a big budget summer blockbuster pirate movie. Hans Zimmer delivers the goods.
• Lust, Caution. Alexandre Desplat is the mind behind this exceptional score to a film I have not yet seen. He also composed the Golden Globe award winning score to The Painted Veil. It is a haunting combination of piano and strings in a minimalist arrangement. Works beautifully apart from the film and comes highly recommended.
• Battlestar Galactica: Season Three. Remember I mentioned the music was not confined to the big screen? Here is one from the small screen. This is an exceptional collection of music from the third season. It is filled with original music with inspirations from around the world. Not be missed by anyone.
• Halloween. Like the movie or not, the soundtrack has a strong collection of classic rock tracks that you will want to play in the car, cruising with the volume up. It also has a couple of pieces from Tyler Bates take on the John Carpenter score from the original.
• The Simpsons Movie. Another Hans Zimmer score to recommend. Fans of the movie, the show, or both will want to get their hands on this one. Zimmer slipped right into the style of the show and delivered a score filled with soft subtlety and big cartoony bombast. Like the movie, this music is a lot of fun.
• Hairspray. I dare you to listen to this and not tap your foot. Ths music is absolutely infectious. This coming from a guy who doesn't generally go for "showtunes." The movie was a blast and the music is to. I do not yet have this, but have no problems recommending it.
• Once. I have not seen the film nor have I heard the music. I just have a feeling that I am going to like this. The trailer indicates a folk-rocky feel with a heartfelt romance at its core. Hopefully I will like it, otherwise this recommendation will look awfully silly!

Going back a little further, there are some great albums that come from outside the past two years. Now this is a mere sampling of what is available, but I feel they are definitely worth noting in case the movie lover in your life happened to miss them.

• The Nightmare Before Christmas. It is not Christmas, or Halloween, without the songs of Tim Burton's cult classic. The 3D re-release has brought it renewed life. The songs are great, catchy, and impossible to get out of your head once they dig themselves in.
• Memoirs of a Geisha. John Williams scored this novel adaptation for Rob Marshall. The music is absolutely beautiful. It is epic, romantic, and thoroughly tinged with the East. This is a score I find myself returning to time and time again.
• A Nightmare on Elm Street. This one goes back a ways. Charles Bernstein experimented with synth scoring and crafted this memorable score, complete with the creepy ten note theme that brings with it a sense of dread and unease. Perfect for the horror lover.
• Halloween. Another one for the horror fan. This John Carpenter composed score is one of the creepiest and simplest ever committed to tape. There is no excuse for this not to be among the horror lover's collection.
• Star Wars. OK, this will likely not be an option. Anyone who loves movies and the music in them will have these already (meaning all 6 films). If not, these are an absolute must, particularly the original trilogy. The one to spotlight here would be the score for Revenge of the Sith. The movie is the best of the prequels, as is the score. John Williams was on the top of his game when he composed this one.
• The Good, The Bad, and The Ugly. Ennio Morricone's experimental score is unmistakable. He made great use of voices, whistles, and all manner of other sounds in creating the iconic music to Sergio Leone's masterful spaghetti western.
• Zatoichi. This one may be a bit more difficult to find, I got mine as an import. Keiichi Suzuki scored Takeshi Kitano's update of the Zatoichi character, and it is an absolutely delightful listen. If you are looking for something a little different than your typical Hollywood-style score, this is a good choice.
• House of Flying Daggers. Whatever your thoughts are on the love triangle/martial arts film, Shigeru Umebayashi's music is gorgeous. It has a distinctly different flavor, well apart from the big orchestral scores that we hear most of the time.
• The Incredibles. Michael Giacchino has been gaining more notoriety over the past few years, beginning with his work on Lost. Here, he has crafted a fine, jazzy score that fits the superhero genre and is very reminiscent of John Barry's brassy style from the James Bond films.

Happy shopping! Please let me know of any other scores that you'd recommend. I am relatively new to this and am always looking for recommendations.

Bad Taste = Good Sense: Music and Movies

Not sure if that's the best title for this column, but I like it. Have you ever noticed how your taste in music or movies changes over time? Mine has become more and more apparent, especially in music.

Music Quick Takes: Kill Bill, Fear Factory, Warren Zevon, Machine Head, Misfits, Dark Lotus

Just Push Play
Heard any good music lately? There are a few albums that have been in high rotation on my system. They also represent my widely varied tastes. I haven't gotten as many new albums as I used to, but the recent playlist has some excellent stuff on it.