Sweeney Todd is a macabre tale of revenge and tragedy in the guise of a musical. It essentially turns musical theater on its ear. This is likely a result of my lake of experience in the realm of musical theater, but I can quite safely say that I have never seen anything quite like this. It is the perfect antidote to theater musicals turned filmed musicals such as Chicago and Phantom of the Opera. Sweeney Todd is not filled with huge chorus numbers, or big song and dance sequences. It has the visual opulence that one would want from musical theater, yet has more intimate, personal feel than other big screen productions.
The film opens with Barker, now called Sweeney Todd, returning to London from his 15 year exile. Upon his return, he makes his way to Fleet Street where he had lived with his family. It is not long before he learns of his family's fate, from Mrs. Lovett (Helena Bonham Carter). Hearing the word of their fate, his desire for revenge gains strength. He decides to use his barbering skills as his means of revenge. Of course, getting rid of his handiwork becomes a problem. This is where Mrs. Lovett's skills as a baker come in useful. I am sure even those unfamiliar with the musical can see where this is going.
I dare not go any further. I do not want to be the one to rob the uninitiated of the joys of uncovering the secrets held within the meat pies nor just how deeply the desire for revenge runs. Let me just say that even when you see it coming, it is still shocking and utterly heartbreaking.
The supporting cast is strong as well, led by Alan Rickman's slimy Judge Turpin. There is something terribly distasteful about him and Rickman hits all the right notes. At Turpin's side is Timothy Spall's Beadle Bamford, a vermin-like crony that oozes all that is bad. There are also the star crossed lovers Anthony and Johanna, played by the odd featured Jamie Campbell Bower and Jayne Wisener whose features resemble a porcelain doll. Finally, we have the youngest cast member, Ed Sanders, as Toby the earnest youngster with the strong voice. Oh yes, let's not forget Sacha Baron Cohen's comedic turn as the rival barber named Pirelli.
Beyond Burton's accomplishment, credit must be given where credit is due. Stephen Sondheim penned the work, along with Hugh Wheeler. Together they brought the world of horror its own great tragedy that shocks, but is also filled with an emotional core. The musical was then adapted to the big screen by John Logan, who has come a long way since Bats.
Bottomline. Sweeney Todd: The Demon Barber of Fleet Street is easily one of Tim Burton's finest accomplishments. He has put his stamp on a tragic love story for the ages. It is steeped in darkness, spiced with humor, and told through glorious song. It is a film that is equally personal and intimate and grandiose, a wonderful example of the grand guignol aesthetic.
Highly Recommended.
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