Made in 1932, the film was greeted with primarily negative reviews. It was a controversial film for its time, mainly for it's casting and portrayal of actual side-show attractions. It was so controversial that it was pulled from the theaters after it's New York engagement in the summer of 1932. Taking this a step further, it was banned in many parts of the world for over 30 years. It wasn't uncovered and brought out again until the mid 1960's for the next generation of movie lovers. I am not much of a historian, and you can learn more about the history of this film from other online sources and the excellent supplements on this disk.
Tod Browning, who had previously directed the first version of Dracula (excepting Nosferatu, of course, as it was not technically Dracula), brought a different vision to this film, which in many ways, I find to be a superior film. The story is not original, at least by today's standard, but the plot and it's treatment was unlike anything to come out of studio at the time. Browning populated the film with a large collection of so-called freaks. Included were a half-man, little people, a bearded lady, a bird man, the pin-heads, the living skeleton, the living torso, the siamese twins, the armless women, and more. Rounding out the cast are a few "normal" actors.
The setting of the film is a traveling circus, but it is from the point of view of the circus workers and attractions, we never get the side of the audience. This is for the best as I feel we get better immersed in the tale at hand without the distractions of changing the audience's view. I would fear we would start Identifying with the audience rather than the true heroes of the piece. The film tells a tale of a midget, Hans, who falls for a "normal" woman, Cleo, the trapeze artist, despite the protestations of his current girlfriend, Freida. Of course this leads to a rather unpleasant situation.
Despite the age of the movie, I still felt a little disturbed watching the film. There were scenes that just made me squirm. The thing to remember is that it wasn't due to the deformities of the majority of the cast, but the way they were treated by the so-called 'normals.' The freaks of the title were the real people here, you could sense the community between them. A virtual family for those shunned by the 'normal' world. The scene that sticks out to me is the wedding banquet where Cleo (Olga Baclanova) is accepted into the community. I dare not give it away, as it is a powerful scene that can unsettle even the most callous. The climax also stands out as one of the creepiest sequences ever filmed.
The acting, if viewed with a modern viewpoint, is not great. But If you allow yourself to become enveloped in the story, which is a good thing to do when watching any film, the acting is superb. Wonderfully emotional performances from all involved. The dialogue is also good, considering how early this was in the "talkie" era, and there is a lot in it, there is a great deal of talking going on.
Tod Browning's direction is solid, actually better here than Dracula. The fact that the cast was talented and seemed natural on camera doesn't hurt it one bit. After the initial curiosity, you begin to forget the abnormalities and just see the performances.
Video. First, it is presented in it's original aspect ration of 1.33:1. Considering that this film is over 70 years old, it looks fantastic. Of course, there are some marks and blemishes along the way, but that is to be expected. The black is deep, and it is never hard to distinguish even in the darker scenes. The final sequence quality degrades significantly, but again, the movie is old, and source material was probably scarce.
Audio. Presented in it's original mono, it has some hiss and the level is generally on the lower side. I actually turned on the sub-titles for most of the film to make sure I got everything. For the most part the rendering is good. We can't expect to have a modern quality track from a film of this age.
Extras. There is a nice selection of extras providing some wonderful background for the film:
- First there is a text prologue that was added for it's theatrical reissue. It explains some of the setting, and the code of the freaks.
- Next up is a selection of 3 alternate endings, hosted by author David J. Skal. Sadly they did not include the video for the original ending, probably lost to time, but it is described by Skal, I would have liked to have seen this version.
- Freaks: Sideshow Cinema featurette. This extra is excellent, running a little over an hour it takes us into the production of the film, and more specifically, the lives of each of the sideshow performers involved. This a wonderful documentary with interviews with Skal, other historians, and other performers. It was interesting to note some of the other films they appeared in, the star, Harry Earles, was in The Wizard of Oz as one of the Lollipop Guild, and Angelo Rosito was Master in Mad Max Beyond Thunderdome. Overall this is a wonderful piece that puts the film into better perspective.
- Finally, we get a commentary from David Skal. This is a good commentary, but it does duplicate a lot of information that is provided in the documentary, as if they spliced elements of the interview over the film.
Bottomline. A great film that has aged well. It is also way ahead of it's time with it's treatment of the sideshow performers. A fantastic ensemble cast, a story that is very personal, and some incredible moments, this is not to be missed. I cannot recommend this enough. On top of it's importance as a film, MGM has done an excellent job presenting it, right down to the use of the original art for the cover.
Highly Recommended.
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