April 29, 2006

Movie Review: United 93

I thought I was prepared for this. In the aftermath of seeing this film, I have learned that I was not. Is it even possible to prepare yourself for something like this? It is akin to reopening a wound that was well along the healing process. That wound was ripped open and many of those memories have come back.

I remember that morning as though it were yesterday. The chaos, the confusion, the anger, the fear, all competing for room. I was sitting at my desk at work when I got an email from my mother about a plane hitting the World Trade Center, followed by a co-worker walking and saying the same thing was just on the radio, then the second email came through with word of the second plane. At this point, insanity kicked in. I was trying to get to any of the news websites I could, and not having any luck. The only place I could get into was a Yahoo message board, featuring plenty of rumors and a healthy dose of misdirected hate. I would occasionally get another email about news coverage from my mother, but it wasn't enough. That was a rough day, trying to discern the news while answering calls about troubled cash registers. But I digress.

I am not even sure how to review a film like United 93. This is the first big screen take that directly deals with the events of that fateful day. We are all familiar with the story, and this isn't so much a complete story as it is a life-altering event.

Writer/Director Paul Greengrass has done an absolutely amazing job of bringing the story of those heroes to the theater. This is no Hollywood styled action movie. There are no stars or star making performances. The actors all work with the singular focus of making this film feel as authentic as possible. I have been convinced that this is most likely the way things happened.

I went to the theater this evening with the express intent of seeing something new. United 93 was the movie I wanted to see, like I had said, I thought I was ready. I made it into the theater and found a seat towards the front of the auditorium. The start time came, the lights went down, and something amazing happened, the movie started. What's so special about that? Well, there were no trailers. It felt appropriate for what was about to come. It made me think about the bizarre tonal shift from whatever they would have shown to the emotional rollercoaster that was about to start.

The first half of the film splits its focus between the people getting on the ill fated flight and the growing panic in the watch towers. It was a strange feeling watching those people going about their business, you know what is going to happen, who the world was about to change, they had no idea. Also, watching the increasing urgency at thevarious agencies showing just how unprepared we were was a little disconcerting.

The second half focuses on those on the plane. The panic growing among them contrasted with the grim determination, tempered by fear, of the terrorists. It was incredibly moving watching them slowly realize what was going on, and the calls to family members. I found it almost too much to bear.

I have not had this kind of reaction to a film since I saw The Passion of the Christ. The film worked on a raw emotional level. More that that, the film felt real. The dialogue sounded like real life, not scripted, conversations flow over each other. Over everything else this felt authentic.

Bottomline. This is a powerful experience. It was better than I had thought it would be, and caught me completely off guard. This is a movie to see at least once. It is a tribute to those who lost their lives. The heroes of flight 93, people who gave their lives in order to save countless others.

Highly Recommended.
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April 28, 2006

New Movies and Box Office Predictions: United 93, RV, Stick It, Akeelah and the Bee

The end of April is upon us, it is just about time for the early summer season to start. Each year, the summer season starts earlier and earlier. That summer starts next weekend with Mission Impossible III, but before that we have a few potential hits to deal with. First and foremost, this weekend brings the first 9/11 themed film, also tagging along are a tweener film, a family comedy, and an inspirational drama. I am most interested in the reaction to United 93.

Akeelah and the Bee. (2006, 97 minutes, PG, drama, trailer) I remember seeing this trailer a few months ago and thought that it looked pretty good. It is the story of a girl from south LA, who enters a variety of spelling contests to the objections of her mother. She is coached by a Doctor and her principal, and earns a shot at the National Spelling Bee. It stars Keke Palmer, whose smile lights up the screen, along with Laurence Fishburne and Angela Bassett. It looks like a delightful inspirational drama.

RV. (2006, 98 minutes, PG, comedy, trailer) Robin Williams returns to the big screen with a family adventure comedy. He cancels the family's trip to Hawaii when a job obligation comes up. He turns the tropical trip into a trip to the north in, what else, an RV. This will lead to much comedy. The movie was directed by Barry Sonnenfeld.

Stick It. (2006, 105 minutes, PG-13, trailer) Could they have come up with a worse title? This concerns a renegade gymnast and her team. A teen targeted film with, one can assume, a fair share of sexual innuendo, and they saddle it with the words"stick" and "it." It is a title ripe for picking, many jokes are sure to come about. Oh yeah, it also features a slumming Jeff Bridges. I may be prematurely judging the movie, but I do not foresee quality.

United 93. (2006, 90 minutes, R, suspense, trailer) Are you ready for a 9/11 themed big screen film? Is anybody ready? It has been a very touchy subject ever since it was announced that this movie was coming. I wasn't sure that I really wanted to see it, until I read a review over at Ain't it Cool News (a review that I am no longer able to find). The review spoke of the intimacy and reality of the film, and the care that director Paul Greengrass put into it. I think I am ready for this.

Return of the Idiot. (1999, 99 minutes, NR, comedy, trailer) Coming from the Czech Republic is this comedy based on Dostoyevsky’s The Idiot. The film concerns a man released from the institution, where he has spent most of his life. Now he must reaclimate to the outside world, which brands him, what else, an idiot.

Brats. (2002, 99 minutes, NR, drama, trailer) Also hailing from the Czech Republic, this film deals with racism in a country town. A family move from the city with their adopted children. This looks like it could be interesting.

The Revolution Will Not be Televised. (2003, 74 minutes, NR, documentary, trailer) This may be one to see, and its coming to the local arthouse. A pair of Irish filmmakers were in the presidential palace in Venezuela, when Hugo Chavez was forcibly removed from office. They filmed the following 48 hours when he returned to power. The film gives insight to the media manipulation that 0ccurred. This is not available on DVD, nor has it been seen in the US since its original theatrical release.

Also opening this week, but not near me:
  • Clean
  • The Death of Mr. Lazaresco
  • Guys and Balls
  • Killer Diller
  • The Lost City
  • Sympathy for Lady Vengeance
  • Three Times (Zui hao de shi guang)
  • Water

Box Office Predictions.

This could prove to be an interesting weekend. I am willing to bet that the latest Robin Williams comedy will do well. On the other hand, the big screen is playing host to the first 9/11 themed film, and I am not so sure how well it will perform. Some are willing to see it, many others think it is too soon. At the moment, I am eagerly looking forward to it, especially after some of the reviews I have seen. The latest teen flick should pull decent numbers, although I doubt it will be a frontrunner. Lastly, there is an uplifting spelling bee film which will most likely pull in low numbers, despite being a good film (although, not having seen it, I have no real idea). Anyway, here is how I think it will shake down:

  1. RV
  2. United 93
  3. Scary Movie 4
  4. Stick It
  5. Silent Hill
  6. Ice Age: The Meltdown
  7. Akeelah and the Bee
  8. The Wild
  9. The Benchwarmers
  10. Friends with Money

What are you seeing this weekend?

April 27, 2006

CD Review: Avenged Sevenfold - City of Evil

Every so often an album comes out of nowhere and just captures your attention. City of Evil has taken control of my auditory canals and refuses to let go. However, it has been a journey getting to this point.

For the longest time, I avoided Avenged Sevenfold like the plague. It wasn't because of the music, it wasn't really for any worthy reason at all. Despite hearing all the rumblings of how good they were, I had a hard coded preconceived idea of what I expected them to sound like. Considering how popular they seemed to be, I figured they were another post-hardcore/screamo band. Those things just keep multiplying, and so many of them sound similar that I can't tell them apart. There you have it, my main reason for avoiding these guys.

At some point, a few months back, I broke down. I gave into all the whisperings and mentions of Avenged Sevenfold. I went out and picked up City of Evil. What did I have to lose? An hour listening to it? And that's assuming I listened to the whole thing. Well, I made it through that initial time, and I haven't looked back. The disk has continuously found its way into my CD player and onto my playlists.

City of Evil is the first album to grab me like this since I first heard The End of Heartache by Killswitch Engage. Much like that album, I have fast fallen in love with the music contained on the little shiny disk.

Avenged Sevenfold completely smashed my preconceptions. What I thought they would sound like and what they actually do sound like could not be further removed. From the opening strains of "Beast and the Harlot" through the closing notes of "M.I.A." had me trapped by the ears.

Avenged Sevenfold has captured the sound and feel of the LA glam scene from the 1980s. They have managed to take that look and sound and brought it into the new millenium. The sound is definitely reminiscent, but it is so much more than a mere throwback to those old days of my youth. Instead of a shadow of a past that many would like to forget, they have taken that inspiration and forged new ground, delivering a rock album that is as stunningly original as it is familiar. Not an easy feat to accomplish.

Not content with the sound, they have gone the extra step. The band photo looks as if it would have been right at home amongst the liner notes of a LA Guns or Guns 'n Roses album. It's like looking into the past, yet remaining firmly entrenched in the modern age. The hat, the sunglasses, the sleeve tattoos, the black t-shirts, the aloof "I'm cooler than you"attitude, it is like looking into an alternate past. A past where the glam scene developed past the superficiality of which it collapsed under, it retained the edge that made it cool and grew into an epic behemoth. Avenged Sevenfold is the culmination of that era.

The first thing that grabbed me, as that first song kicked into gear, is the guitar duo of Synyster Gates and Jacky Vengeance. Whether it is a blistering solo, soaring harmonies, or bone crunching riffs, these two are a solid unit of stringed destruction. Then there is the frontman, vocalist M. Shadows. He possesses one of the best rock voices I have heard in recent years, taking just the right amount of edgy raspiness and showing off what he's got. He doesn't rely on screams and growls to deliver his words (although that style does have its place!). He fronts the band with a confident swagger, and a voice to back it up. Lastly there is the rhythm section, Johnny Christ on bass and The Rev on drums. They are rock solid, keeping the pace fast and furious. They are more than just backup, they are integral to the band, filling out the sound and putting an individual stamp on the final product.

City of Evil is filled from start to finish with a display of great songwriting, technical expertise, and infectious grooves. One of my favorite songs also happens to be the first single, which I did not even realize until later, the Hunter S. Thompson dedicated "Bat Country." The song has a great chorus that just begs for a sing along. The next single is the album opener, the fast paced "Beast and the Harlot," which is also a great track. There are also some great moments within songs that I love to hear, for example there is this little drum breakdown in "Burn it Down" which just gets me every time, it is brief but adds so much flavor, another is the trading of the heavy riff between drums and guitar in "Trashed and Scattered."

Another thing that really impressed me is the presence of a ballad. Avenged Sevenfold has given us the great acoustic guitar and piano flavored "Seize the Day." It is a sad, personal song which is a big of change of pace from what came before, yet feels so confortable. Then there is "Betrayed," a song dedicated to the memory of the late Dimebag Darrell, and the 9 minute epic "Strength of the World." It is so hard to rank these songs, they all have their own personality and way to drag you in.

Bottomline. This is an absolute must own album. It grabs ahold and does not let go. The raw ability that the possess is staggering. I guarantee that you will love this album. On a last note, they are also a great live act, from their liver ability to their stage show, it is a great extension to what they have created here.

Highly Recommended.
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April 25, 2006

Box Office Update for 4/21-4/23: Silent Hill Creeps to the Top

An R rated film tops the charts again. Silent Hill went right to the top, despite not being screened for critics, or perhaps because of it. It is getting decidedly mixed reaction from viewers, and pretty much negative word from critics. I have to say that I liked it, it was not completely successful, but it tried to do something different. Christophe Gans has given an interesting piece of surrealistic survival horror.

Coming in right behind our horror movie leader is a horror movie spoof. Scary Movie 4 slipped nearly 60%, but still managed to come in second. So far it has brought in nearly $68 million, which should pretty much pave the way for a fifth movie in the series. Does anyone else recall when the first film claimed there wouldn't be a sequel?

Coming in third is another new release this week, the poltical thriller The Sentinel. It was met with only so-so numbers. Of course, it is only a so-so movie. Kiefer Sutherland puts his Jack Bauer in a suit and goes toe to toe with his mentor, played by Michael Douglas. It was OK, but fell way short in the character development component. This could have used a little fleshing out.

The one other new release arrived DOA. That film is none other than the Hugh Grant/Dennis Quaid comedy, American Dreamz. This was universally panned by critics, and the few who saw it seemed to agree. I have seen nothing good on this one.

My predictions were OK this week, I went for 4 for 10. I did a little better down the middle, but towards the end there two films kind of surprised me. I hadn't even figured on Take the Lead and Friends with Money came out of nowhere.

Four films dropped off the top ten this week: Thank You for Smoking (11), Lucky Number Slevin (12), Failure to Launch (13), and V for Vendetta (14).

This Week

Last WeekMy GuessTitleWknd GrossOverallWeek in release
1N1Silent Hill$20,152,598$20,152,5981
214Scary Movie 4$16,814,942$67,478,1812
3N3The Sentinel$14,367,854$14,367,8541
422Ice Age: The Meltdown$13,284,408$168,348,1354
54

5

The Wild$8,332,068$22,240,6352
636The Benchwarmers$7,256,143$47,101,4183
75-Take the Lead$4,176,517$29,482,6133
8610Inside Man$3,748,955$81,313,5105
9N7American Dreamz$3,667,420$3,667,4201
1015-Friends with Money$3,179,025$4,960,7653


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DVD Pick of the Week: Match Point

This week brings with it one of the worst of 2005, as well as a couple of the best. Of course, that is all in my opinion, and like any critic worth his salt, my opinion is the right one. I don't want any one of you to forget it! I'm only kidding, you can dislike my choices if you want.

This week's pick is Woody Allen's Hitchcock-esque, Match Point. This was a great movie, and not what I had come to expect from Woody. I have only seen a few of his films, mostly the more recent ones, and I thought I knew what I was in for when I went to the theater to see this one. I was way off, my limited experience was rearing its ugly head.

The film was no romantic comedy. There was no nebbish little man to be seen. Rather, the film was old school in structure, but feels right at home in the modern setting. The film moves along at a deliberate pace, meaning slow, but a slow that will keep you enraptured until the end. I have to say that I did not see it going in the direction which it did. Very good movie.

Also coming out this week:
  • Aeon Flux. This is here as a warning. Do not see this, it is awful.
  • American Dad: Volume 1. Not quite as good as Family Guy, but still pretty funny.
  • Casanova. Never saw this one, but don't recall it getting much good word. Heath Ledger stars.
  • Elevator to the Gallows. The debut of Luis Malle is a movie that Iwold really like to see. A three pronged story that branches off after a murder gone awry. The movie gets the Criterion treatment.
  • Final Fantasy VII: Advent Children. This has been much delayed, and the receipient of much acclaim. Can;t want for this.
  • Odyssey 5: The Complete Series. I remember seeing a taped episode of this short-lived science fiction series and thinking it looked pretty good, now the entire run is available on disk.
  • The Replacement Killers: Extended Cut. Does this really need an extended cut? Not sure, although I do remember liking the movie.
  • Shopgirl. Steve Martin proves he still has it. This was an interesting film, looking forward to seeing it again.
  • 3 Extremes 2. I had no idea there was a sequel to this, much less one so soon. But who I to complain?
  • Tristan and Isolde. This, while not perfect, was a lot better than I expected it to be.

What are you getting this week?