Showing posts with label Alexandre Aja. Show all posts
Showing posts with label Alexandre Aja. Show all posts

February 4, 2015

Blu-ray Review: Horns


Looking for something a little bit different? Something that dances on the fringe of the mainstream? Horns may be just the movie for you. Sound like a commercial, don't I? I really do not mean to, it is just that this movie is a little strange, a little odd, certainly experimental, and yet it remains wholly accessible. It is the kind of movie that should be championed on the big screen, but because it is different and not like everything else, it is left behind to find an audience on home video. This is a good film with an interesting central character and an execution that keeps the audience involved to the end.

November 6, 2014

Movie Review: Horns

On the same night I was to see Dear White People, which got turned into Before I Go to Sleep due to a broken projector, I was slated to take in Horns. Fortunately, that projector was working and, somewhat surprisingly, I found I was the only interested in seeing it at a 10:30 on a Wednesday night. Go figure. It has been awhile since I had a private screening. Anyway, this was the movie I think I was more interested in seeing anyway, even though I knew very little about it. All I knew was that it starred Daniel Radcliffe, who has been somewhat impressive post-Harry Potter (The Woman in Black was really quite good), and that Radcliffe would sport a set of devilish horns. Frankly, that is all I really needed to know.

March 30, 2014

Movie Review: Maniac (2013)

The film Maniac is a grimy, gritty, unsettling slice of horror that came out back in 1980. The story was developed by the star, Joe Spinell, and directed by William Lustig (Maniac Cop, Uncle Sam). The movie has stood the test of time, garnering itself something of a cult following. The film stands out from the slasher films it is usually lumped together with, as it centers on the killer, forcing you to follow him down his path of madness, murder, and self destruction. I find it curious that such a dark film was targeted by the remake machine as it never had mainstream appeal and an unsavory approach, unlike the Friday the 13th or A Nightmare on Elm Street series.