Sort of sounds like I didn't care for the movie much, doesn't it? Well, sometimes what would appear to be criticism is exactly the opposite. It is a familiarity that works within the confines of the film. They say that familiarity breeds contempt; however, if you have the right ingredients you can change that feeling of contempt to something that more resembles respect. There is nothing wrong with making a film like this. The problems enter the picture when the creative team offer up little in the way of energy. Take a look at something like The Pacifier, the concept and execution was devoid of passion and energy. The end result was a flat bore. Sure, it filled a need, but it did not do it very well. Compare that with the similarly themed No Reservations from earlier this year. That film leaned more towards the romantic and dramatic than the straight up comedic, but it was created by people that had a passion for the story. The end result was something that had a lot of heart and delivered a story that hit home even if the originality was not there.
Dwayne "The Rock" Johnson stars as Joe Kingman. He is an egotistical, self-centered football star who lives the life of a playboy. He always makes sure to watch himself on Sportscenter, and has a luxurious apartment plastered with photos of himself alongside posters of his hero, Elvis Presley. His life is thrown for a loop when an 8-year-old girl named Peyton (Maddison Pettis) arrives on his doorstep claiming to be his daughter. He struggles with the possibility that he really is her father, and then his publicist enters the picture. Her name is Stella (Kyra Sedgewick), and clearly not a mother. She comes in looking for a way to spin it in an effort of damage control to make her the most money by protecting her client.
It is my belief that Dwayne Johnson (sans "The Rock") will be a big star. He just needs that one killer role to put him over the top. I doubt this will be that role, but it does go a long way to prove his versatility (something that is really evidenced by his complete filmography). He has already proven that he can anchor an action film (The Rundown), stand out in a comedy (Be Cool), and lead a more dramatic film (Gridiron Gang). The Game Plan plays off his excellent comic timing, and high level of charisma and screen presence, not to mention his willingness to poke fun at his macho image. He has all the tools needed to succeed. There are a few moments in this film where he is able to convey some surprising depth with Joe Kingman. I am thinking specifically of a scene early on. A party in his apartment is dying down, and he says something to a teammate, played by Morris Chestnut, about having a life. Chestnut responds that family is life and, gesturing around the bachelor pad, that is not life. This is followed by Joe sitting down in the middle of an empty apartment, surrounded by his own memorabilia. It is a quiet moment that reveals much about Kingman, the movie in general, and about Johnson's ability to pull of something of such depth in the midst of a cliched family comedy.
Bottomline. Now, The Game Plan is not going to win any awards and is likely to be forgotten by many, but it definitely put a smile on my face. It delivers laughs and has a good heart. This is worth spending some of your time with, particularly if you have children. The Game Plan is one of the better family films to arrive this year.
Recommended.
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