The movie takes a look inside Buckingham palace as the nation, and the world, look on waiting for some sort of reaction to the death of Princess Diana in August of 1997. It is a blend of archival, news footage and newly filmed footage all put together with the intent of giving us a look inside as those behind the walls deal with their own personal reactions weighed against what they believe is expected of people in their position.
The Queen pits the new modern world, led by the newly elected Prime Minister Tony Blair (Michael Sheen), against that of the old, led by Queen Elizabeth II (Helen Mirren). It is an intimate view of this struggle to come to grips with a world that is changing, seemingly to quick to keep up with.
The film opens with the election of Tony Blair and his first meeting with the Queen while holding that title. For her it was just another meeting with another Prime Minister, filled with tradition, and more than a little uncomfortable for Blair, who has what could be considered radical thoughts on the modernization of the country. Fast forward a few months to that fateful day when Princess Diana and Dodi Al-Fayed were killed in a tragic car accident in Paris.
The Prime Minister has other thoughts, first making a public appearance and statement before turning his attentions to the lack of action from the throne. The remainder of the film deals with Elizabeth's struggle to come to terms with the rapidly changing world.
This film was very good. Helen Mirren and Michael Sheen absolutely carry this film with their excellent portrayals of the Queen and Prime Minister. Mirren, in particular, is quite moving. The role is a stoic one, and there is so much that plays across the face of Mirren. Her performance is quiet, subtle changes are what make it work. The rest of the cast is also quite good, particularly James Cromwell as Prince Phillip, who can hardly contain his distaste for the late Princess, and Alex Jennings as Prince Charles, portrayed as a man who is scared of the Queen as he tries to make buddies with Prime Minister Blair.
Peter Morgan has written a quietly insightful screenplay, full of sly humor. The subject may seem a bit dry, and it is, but the script does manage to keep it interesting. It is a smart, intelligent script that invites the viewer to think about it, to become part of the implications of what happened, see how the country was changing before her very eyes. Director Stephen Frears, who also directed last year's excellent Mrs. Henderson Presents, delivers a tight film that focuses on the performances, nothing that crosses the screen is without purpose.
Bottomline. I may not have the greatest interest in the Royal Family, but this film does offer some insight to what happened behind, primarily, closed doors. Basically, this is a quietly beautiful film, anchored by some fine acting performances.
Recommended.