So, the other day I took some time to take in Disney’s new live action redux of their classic animated film, Aladdin. It just happened to fit into my schedule, as I had not really planned on seeing it. I thought the trailers looked awful, I was not sold on Will Smith playing the Genie, and I fail to see the point in Disney’s recent fascination with remaking all of their animated properties. So, I was fully expecting to not like it. Well, to my surprise, I actually enjoyed it. It is not perfect, and is little more than trifling entertainment, but I would have no problem recommending it. Now, I am not going to review it, but just wanted to throw out some quick thoughts.
June 14, 2019
June 13, 2019
Movie Review: Deathdream (aka Dead of Night)
Well before he was making mainstream films like Porky’s and Rhinestone, and way before he directed the Christmas bomb that became a Christmas classic (A Christmas Story), Bob Clark was creating horror movies. It is hard to picture, but it’s true. He made his debut in 1972 with the (in my opinion) overrated Children Shouldn’t Play with Dead Things (I know I have friends who love it, believe me, I’ve tried). He would peak in 1974 with the classic Black Christmas. However, earlier in 1974, he released another horror movie that, despite it’s alluring title, tells a tale that could easily fly under the radar. The movie is called Deathdream (aka Dead of Night, which is the title on the actual transfer presented here). I had seen pieces of it before, but this is the first time I have seen it in its entirety. The best thing to start with is to say: See this movie.
Labels:
1970s,
1974,
Alan Ormsby,
Bob Clark,
Horror,
John Marley,
Lynn Collins,
Movie Review,
Richard Backus,
Thriller
June 12, 2019
Movie Review: Dark Phoenix
The first X-Men movie appeared way back in 2000. While it is far from the first comic book adaptation to hit the big screen, it seems to be the one that would kickstart the superhero saturated market we have today. Now, here we are, 19 years and 10 movies (12 if you count the Deadpool films, which I guess we probably should) in and we have reached the end of an era. Hugh Jackman has donned the prosthetic claws and coiffed his hair to play Wolverine for the last time and Disney has completed its purchase of Fox, thus making it possible to reunite the mutants with the rest of the Marvel Cinematic Universe (thus far dominated by Avengers related characters). The big question is, do you go out with a bang and do you fizzle like a dud sparkler? Sadly, in my estimation, it is the later.
June 11, 2019
Movie Review: Brightburn
When I first saw the trailer for Brightburn, I have to admit to being a little confused. On one hand, it certainly looked intriguing, but on the other hand, I could not help but be reminded of the origin of Superman. It is a story everybody knows, I feel that Superman’s origin is like the tale of Frankenstein’s Monster at this point, everyone is born knowing it. There is no need to tell and retell the story time and time again, there is nothing new you can bring to the table. It is possible to tell a story about Superman without starting with his origin. I have felt that there are lots of origin stories that can be skipped. The worthwhile origins are those like in the Unbreakable-verse, which i new and fresh (not commenting on whether you like it or not, just that it is new), or in the case of Brightburn, where an element gets turned on its ear and makes the familiar new again.
Labels:
2010s,
2019,
Action,
Brian Denham,
Brian Gunn,
Elizabeth Banks,
Horror,
Jackson A. Dunn,
Mark Gunn,
Movie Review,
Science Fiction,
Steven Yarovesky
June 10, 2019
Movie Review: The Dead Don't Die (2019)
The Dead Don’t Die is a movie that came to my attention quite literally out of nowhere. I seem to recall hearing something about a movie being made locally, to me, and it turns out it was this. I do not know precisely where, but the locations seem vaguely familiar to me. I was also clued in by the majority of the audience at my screening were zombie extras in the film. In any case, the movie itself is a dry-witted, masterpiece. I absolutely loved the simplicity of everything.
Labels:
2010s,
2019,
Adam Driver,
Aliens,
Bill Murray,
Chloe Sevigny,
Comedy,
Danny Glover,
Horror,
Jim Jarmusch,
Movie Review,
Science Fiction,
Selena Gomez,
Steve Buscemi,
Tilda Swinton
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